A shrewd meditation on home, family, nature, and the author’s native South.
An ornithologist writes about himself as a member of a rare and perhaps endangered species: the African-American birder.
Lanham (Wildlife Ecology/Clemson Univ.) describes himself as “an unusually colored fish out of water,” as someone who doesn’t “fit the common calculus.” He describes his upbringing in the rural South in a rapturous way that shows how nature became his religion, but he also knows why many of his race associate the land with harsher memories, backbreaking labor, and being treated as less than equal or even human. As he traces his singular path from the family homestead through higher education—he switched majors from engineering to zoology and lost his scholarship—Lanham occasionally succumbs to an excess of literary flourish and a penchant for alliteration in particular. In the space of less than five pages, he writes of “the sylvan savior of southern soil,” “the priceless places where nature hangs by tooth, talon, and tendril,” and “something furred, feathered, finned, or scaled that scurried, swam, or flew.” Yet when the published poet gives way to the memoirist, his experiences require no flowery expression. Perhaps the most powerfully provocative chapter is “Birding While Black,” which begins, “it’s only 8:38 a.m. and I think I might get hanged today.” Apparently, a lone black man with binoculars arouses suspicion in neighborhoods where Confederate flags abound. The author is also illuminating on what some might see as the contradiction in values between his passions for birding and hunting, in what he calls “my transition from a wine-drinking, cheese-eating ecologist to a beer-swilling, venison-chewing wildlife biologist.” Ultimately, he brings the memoir full circle in a search for roots that expand his sense of identity, as the home he once knew is not what it was but remains forever in his memory and his heart.
A shrewd meditation on home, family, nature, and the author’s native South.Pub Date: Sept. 13, 2016
ISBN: 978-1-57131-315-7
Page Count: 232
Publisher: Milkweed
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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