Though well-written, this novel lays the misery on thick.
In Yates’ debut novel, a woman growing up in a dysfunctional family and her Holocaust-survivor grandfather are shaped by their experiences of surviving pain through moments of grace.
Julianne “Jules” Finn grows up in the 1960s and ’70s in the small Cape Cod town of Withensea with her two brothers and a set of terrible parents. Her Irish-Catholic father, Howard, drinks, gambles, and hits both wife and children. Her Jewish mother, Wendy, practices self-indulgence in all its most flamboyant hippie manifestations—especially after she and Howard divorce, and the family house devolves into a nonstop drugs, sex and drinking party. Jules and her brothers “became less like children and more like neglected pets,” with Jules (as the only girl) left to do the family’s grocery shopping, cooking, laundry and cleaning, while also looking after her younger brother, Moses. When the unsupervised boy dies accidentally, Jules blames herself. In this, she has something in common with her grandfather Samuel, who carries a heavy load of guilt: He survived the Holocaust but failed to protect his grandchildren. Alternating sections from Jules’ and Samuel’s points of view follow their emotional journeys. Yates shows much skill in description, characterization and dialogue, and she’s insightful about the mental state of abused children, as when Jules learns to compartmentalize: “I began to see my life in parts. When something bad, or weird, or crazy happened, like my father having a gun and threatening my mother, I’d say to myself: This is the part where my father points a gun at my mother’s head.” Jules’ and Samuel’s voices are distinct; similarly, Yates vividly evokes time and place, whether it’s Samuel’s childhood among the apple and cherry orchards in the Ukraine, the bleakness of a Cape Cod tourist town in winter or Wendy’s psychedelic decorating style. That said, the novel loses some impact because its elements are overfamiliar from the glut of novels and memoirs relating similar stories.
Though well-written, this novel lays the misery on thick.Pub Date: April 28, 2014
ISBN: 978-1938314643
Page Count: 314
Publisher: She Writes Press
Review Posted Online: Oct. 6, 2014
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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