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WHERE DRAGONWOOFS SLEEP AND THE FADING CREEPS

A fantasy with tremendous heart and a magisterial execution.

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This debut YA novel transports three teenage heroes to a magical realm that may vanish before they can save it from a despotic ruler.

Thirteen-year-old Ben Young has awoken in a forest beneath a red sky. He heads for a clearing, where he meets a girl collecting glowing flowers. She says she’s protecting them against something called the Fading. Ben next encounters a pair of faeries who lure him into a net that dangles him over a boiling swamp. Luckily, two elves save him from the faeries with arrows. Accompanying the elves is Marcus Cooper, a 13-year-old boy, who explains that the Fading is causing the spread of white nothingness on this world, Meridia. But Ben’s watch—a gift from his father that has stopped at midnight—might be the key to halting the Fading. Meanwhile, at the Blue Glass Palace, 13-year-old Queen Regent Avery Hopewell, like Ben, remembers little of how she comes and goes from Meridia. Fate has placed her in the path of Ben and Marcus but also in the way of the evil Sovereign, who plans to dominate all. Can the three teens reach the Creator’s Citadel and preserve the multifaceted beauty of Meridia? In this novel, Massey evokes the charm and psychedelic whimsy of classic fantasies like The Last Unicorn and films like Labyrinth. The heroes may pop in and out of Meridia via dreams, but their waking lives are just as dramatic as battling dark armies. Avery, for example, lives in a group home and still occasionally wets the bed yet has the intellect to be a catch for any foster family. As the teens tackle fantasy evil, they gain the confidence to address bullies and other real-world problems. The author’s dialogue, a buffet of snark and riddles, consistently augments the imaginative story. The dragonwoofs, a trio of underwhelming winged dogs who accompany the group, prompt Tamerlane the elf to ask, “How will these creatures learn to use their abilities if you keep sheltering them?” In this striking tale, Massey encourages parents to let children make mistakes as they explore their talents and identities.

A fantasy with tremendous heart and a magisterial execution.

Pub Date: June 5, 2018

ISBN: 978-1-980944-39-3

Page Count: 248

Publisher: Time Tunnel Media

Review Posted Online: Sept. 12, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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