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AFTER THEY GO

An often engaging mix of soap-operatic melodrama and rom-com gratification.

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Four women discover that their conflicts can bring them closer together in this novel about family, love, and self-esteem.

The Aaldenbergs are strict believers in tradition. Their lives revolve around the family hardware store—a centerpiece of their small hometown, where livelihoods are driven by tourist seasons, loans, and the generosity of neighbors. The family is thrown into disarray, however, when their patriarch dies from cancer. Gwen, the eldest sister at 22, is desperate to leave for Boston, but feels held back by an obligation to bring the family out of financial straits. Betta, 20, dreams of owning the store and leaving her own mark on the town but feels overshadowed by Gwen. Teenage Esmerelda gets involved in high school vendettas and steals things from the family store as she tries to find herself. And Wanda, the matriarch, falls into a deep depression after discovering that her spending habits have put the family in debt. Meanwhile, separate infidelity scandals involving Gwen and Betta threaten to tear the family apart. With the riveting intrigue and melodrama of a soap opera, Mercer (Dark & Stormy, 2017) infuses rich psychoanalytical insight into each gesture and conversation: “Esmerelda loved how his smiles worked in fractions. She liked measuring them, what made them pass a quarter to a half, and what kind of seriously fabulous business pushed him to three-fourths.” But Mercer’s tendency to explicitly and repeatedly state each character’s central flaws and insecurities renders them predictable. This is especially the case with the underdeveloped love interests and antagonists, as relationships seem unable to survive on unconditional love and acceptance. Despite these histrionics (and occasional typos), Mercer’s prose is lucid and her themes of redemption and reinvention are resonant: “ ‘People come and people go.’ And after they goall you’re left with is you,” thinks Betta at one point. Overall, this novel is more than just a wild drama about romance and family; it’s about learning how to deal with loss, choose what matters most, and be happy with who you are.

An often engaging mix of soap-operatic melodrama and rom-com gratification.

Pub Date: May 15, 2018

ISBN: 978-1-73213-321-1

Page Count: 339

Publisher: Bare Ink

Review Posted Online: May 18, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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