A triumphant tale of surviving abuse, embracing hockey, and finding love.
A teenage athlete strives to overcome a traumatic past in this debut novel.
Phoebe Rose confronts adolescence having no idea who she is. Found at age 4 wandering around her Ohio neighborhood, she’s been raised in a series of foster homes. Maintaining a sense of normalcy in the wake of such upheaval remains difficult, so Phoebe dedicates herself to hockey from a young age. The game has been there when so many of the adults in her life have failed her. A few of her foster parents have been kind (especially the Wilsons, who she hoped could adopt her but were denied permission because they were black and she was white), but mostly, Phoebe has suffered throughout her childhood. Her last foster father, Mr. Jenkins, an evangelical with a mean streak, beat her repeatedly and raped her. When Phoebe sets off for a Minnesota college with a dream to play on its women’s hockey team, she vows to keep her physical and emotional scars to herself. After Phoebe makes the team, she quickly learns that she no longer needs to “keep surviving”—she can be a whole person again. Slowly opening up to her fellow players, Phoebe not only confesses the ordeals of her past life, but also discovers a safe space within the confines of the team. As time passes, Phoebe’s teammates help her to find both love and peace within herself. Neal’s decision to explore Phoebe’s life in a series of flashbacks and flash-forwards is jarring at first—it takes the reader a while to figure out the timeline. But this strategy turns out to be a brilliant stroke of storytelling—it makes the reader feel as disjointed and uncomfortable as Phoebe does. Neal’s plot covers a lot of ground—Phoebe has been abandoned and mistreated while dealing with a chromosomal disorder and questioning her sexuality. Although this could, quite frankly, feel a bit depressing, Neal’s emotionally gripping narrative anchors Phoebe’s problems and prevents them from drifting too far into weepiness. Though most readers have not shared Phoebe’s trials, all should relate to her struggles—they would do well to absorb her story slowly, savoring both her pain and exultant promise.
A triumphant tale of surviving abuse, embracing hockey, and finding love.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Melancholy Donkey Press
Review Posted Online: Dec. 30, 2015
Kirkus Reviews Issue: Feb. 1, 2016
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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