Though it’s bumpy, it’s still a novel way to add some zany celebrations to the family or classroom calendar.
The Children’s Poet Laureate takes a tongue-in-cheek look at some of the weird and wacky holidays that never quite make it onto commercially printed calendars.
The vast majority of the holidays here celebrate animals: from turtles, pigs and worms to pink flamingos, skunks and sloths, among others. While many of the above may not seem celebration-worthy, a few holidays are even stranger: International Cephalopod Awareness Day (Oct. 8) and two that many will instantly add to their personal calendars: Yell “Fudge” at the Cobras in North America Day (Jun. 2) and Chocolate-Covered Anything Day (Dec. 16). But while the subject matter is certainly fascinating and amusing, the poetry can be uneven, though the riffs on English spellings shine, and the wordplay is consistently clever, especially in “Eight Table Manners for Dragons.” But there is also an element of grimness and edginess—“Play with your food, but don’t let it run around screaming.” Raff’s heavily anthropomorphized watercolor critters here include one rat with tail aflame and another pinned to the floor between the tines of a fork. Limerick Day’s five poems are equally weak, while Frog Jumping Day’s verse has nowhere near the creativity and sheer reading pleasure of the similar “Puddle Paddle Battle” from Dr. Seuss’ Fox in Socks. And parents who don’t want to explain might want to skip Mule Day’s poem, “Jack A.”
Though it’s bumpy, it’s still a novel way to add some zany celebrations to the family or classroom calendar. (Poetry. 5-8)Pub Date: March 12, 2013
ISBN: 978-0-7636-5402-3
Page Count: 40
Publisher: Candlewick
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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BOOK REVIEW
BOOK REVIEW
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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