A debut novel in which many stories mingle in the wake of a plane crash. Marshall, Montana, is an agreeable college town. But its placidity is scarred by tragedy when AirAmerica flight 114 from Seattle plunges to the ground, apparently killing all but one passenger. Lennon uses the catastrophe as a means of linking otherwise disparate stories: those of families who have come to meet the plane, that of the lone survivor, Bernardo, and of the young couple, Paul and Anita Beveridge, who live near the crash site. The idea is promising, and the interest it garners credible, and yet the narrative lacks human and moral depth. As though trying a little too hard to include a cast varied in age, ethnicity, and experience, the author seems reluctant to choose a true emotional center. The closest he comes is in the Beveridges, whose strained marriage is indirectly pushed apart by the crash after Anita begins an affair with the uncle of a boy who died on board. But the Beveridges are relative newcomers to Marshall, and they don't really want to be there, having neither authenticity nor roots. Lennon might have done better to focus on Lars Cowgill, a midwesterner who found a home in Marshall and who's a more likable human gauge for the impact of disaster (his girlfriend Megan is among the dead). The best sections here are the glimpses of Marshall and its denizens: the ``Nouveau West'' knotty-pine decor at the small airport; the flyaway punk charm of Alyssa, a high- school student at loose ends who is briefly present in the novel; Lars's helplessly romantic slacker friend Toth, persuasively lost in post-adolescent muddle; and the streets, bowling alleys, and convenience stores of this quiet town. A sharp portrait of a place, but too often diluted by a scattered and uncertain plot and people.
Pub Date: Aug. 4, 1997
ISBN: 1-57322-066-3
Page Count: 288
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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