Next book

THE LIGHT OF FALLING STARS

A debut novel in which many stories mingle in the wake of a plane crash. Marshall, Montana, is an agreeable college town. But its placidity is scarred by tragedy when AirAmerica flight 114 from Seattle plunges to the ground, apparently killing all but one passenger. Lennon uses the catastrophe as a means of linking otherwise disparate stories: those of families who have come to meet the plane, that of the lone survivor, Bernardo, and of the young couple, Paul and Anita Beveridge, who live near the crash site. The idea is promising, and the interest it garners credible, and yet the narrative lacks human and moral depth. As though trying a little too hard to include a cast varied in age, ethnicity, and experience, the author seems reluctant to choose a true emotional center. The closest he comes is in the Beveridges, whose strained marriage is indirectly pushed apart by the crash after Anita begins an affair with the uncle of a boy who died on board. But the Beveridges are relative newcomers to Marshall, and they don't really want to be there, having neither authenticity nor roots. Lennon might have done better to focus on Lars Cowgill, a midwesterner who found a home in Marshall and who's a more likable human gauge for the impact of disaster (his girlfriend Megan is among the dead). The best sections here are the glimpses of Marshall and its denizens: the ``Nouveau West'' knotty-pine decor at the small airport; the flyaway punk charm of Alyssa, a high- school student at loose ends who is briefly present in the novel; Lars's helplessly romantic slacker friend Toth, persuasively lost in post-adolescent muddle; and the streets, bowling alleys, and convenience stores of this quiet town. A sharp portrait of a place, but too often diluted by a scattered and uncertain plot and people.

Pub Date: Aug. 4, 1997

ISBN: 1-57322-066-3

Page Count: 288

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview