In this YA fantasy debut, twins living in separate foster homes learn that magic is real when their father re-enters their lives.
Thirteen-year-old Peter hasn’t seen his twin sister, Rory, in seven years. Though both live in the town of Rutherford, he’s fostered by the abusive Judge Talbert, while Rory is with the Gallaghers. Peter toils away for Talbert, digging in tunnels to find “items of great power” left behind by “forgotten Gods” like Orion. Rory, meanwhile, enjoys a healthy adolescence, learning taekwondo and perfecting her Halloween costume. One morning, after dreaming about a “phoenix-like bird” that leads him to Rory, Peter wakes to find the creature outside his window. The bird next appears inside his attic bedroom, glowing and asking him to follow it. Then downstairs, a man named Kyros arrives, claiming to be Peter’s father. Talbert sends Kyros packing, and Peter decides to risk a thrashing by following the bird. Rory has similar experiences with a bird and a visit from her supposed father, which ultimately revolve around a dilapidated Victorian house that’s haunted in a way nobody expects. In this kaleidoscopic series opener, Rose juxtaposes a variety of genre elements to quirky effect. She infuses the orphan child travails of Harry Potter with Greek myth, ultimately bringing the twins to the planet Inara, where wizardry is the tool of a usurper to the throne. The author keeps the twins apart and ensnared by different alien factions and does a superb job of maintaining the tension as to which side is truly villainous. Peter’s otherworldly father, the Researcher, is tough but caring when he tells him, “You have skills other boys don’t—so stop being a weakling and step into your power.” The prose should be manna for YA action fans, as when Rory falls: “Wind rushed through her ears, drowning out all other sounds. Her stomach clenched, like the first drop on a roller coaster that never ended.” Access to secret tomes and the threat of imprisoned evil forces leave room for a sequel to flourish.
A complex, tightly plotted series opener that should enchant audiences.
In this debut middle-grade novel, a lonely boy finds friendship and learns about the magic of human connection.
Defined by the large mole on his lip, 10-year-old Gregory has grown distant from his family. He is friendless and withdrawn. Then one night a strange little creature emerges from Gregory’s mole. It is riding a (quite lovable) cockroach and can change size. This is the Grimbockle. The Grimbockle—one of many Bockles, who, like Palmer Cox’s Brownies, live at the peripheries of human awareness—tends to the exoodles that bind people together. Exoodles are long, transparent, noodlelike threads and are usually invisible. Once Gregory has his eyeballs painted with Carrot Juicy, though, he can see them. He joins the Grimbockle and the roach, traveling the exoodles as if on a high-speed roller coaster. Exoodles wither and die when people don’t look after their relationships. The Grimbockle is trying to repair a particularly sickly exoodle that links a boy to his mother. Can Gregory help—and can he mend the exoodles in his own life? Schubert follows delightedly in the footsteps of Roald Dahl, opening her unfortunate young protagonist’s eyes to a previously unseen world both weird and wondrous (yet for all its outlandish magic, oddly logical). The scenario is one of riotous imagination, while the Grimbockle himself—brought sweetly to life in black-and-white illustrations by Kraft—is a sprightly and good-natured little person, full of the type of singsong infelicities found in Dahl’s beloved nonhuman characters: “Is you ever seeing glimpses of squiggles in the corners of your twinklers but then they is disappearing in a snippety blink?” “ ‘Exoodles!’ shouted the Grimbockle in triumph. ‘Sometimes, hoo-mans is getting so twisty and wound up in extra exoodles that they is feeling gloomy blue and heavy all day long.’ ” The story is perhaps too much of a parable to fully match Dahl’s template; the adventure is safer and the threats less dark. Nonetheless, readers should fall willingly and with thrilled abandon into the fizzy, fanciful world of Gregory and his Grimbockle friend.
A beautifully realized daydream; a fun yet thoughtful exploration of the complexities and possibilities hidden beneath surface appearances.
A lost bunny searches for his mother in this debut picture book.
The youngster is already lost in the beginning of Lakhiani’s version of the time-honored tale of a lost child reuniting witha parent. On a foggy day, a young rabbit finds that he doesn’t recognize where he is. He calls for his mother, but instead of her voice in response, he hears the hum of a bumblebee. The nameless little rabbit asks if the bee knows where his home is, but the bee doesn’t and sends him on to the wise owl, who “sees everything.” As the little rabbit runs through the “eerie” fog toward the owl’s tree, he meets a kind squirrel. “I’ve lost my mother….I am lost and scared,” explains the little rabbit. The squirrel leads the rabbit to the wise owl’s tree, which the rabbit climbs to ask the owl, “[C]an you see where I live?” The fog is too thick for the owl to spot little rabbit’s home, so he gives the little rabbit a snack and invites him to rest. Falling asleep, the little rabbit dreams of his mother but is awakened by the hooting, buzzing and chattering of his three new friends. Looking around, he sees his mother, who embraces him: “I will never again let you out of my sight,” she tells him. The digitized art by Adams, some of which is credited to Thinkstock, is in a cartoon style that clearly delineates the characters but includes a few anthropomorphic details—a graduation cap for the owl, spectacles for the squirrel and only four legs for the bee—that add little value. Since the story centers on the little rabbit failing to recognize where he is, the choice to make the right-hand page of every spread identical is potentially confusing; regardless, it’s repetitious. The text fails in the opposite direction: It doesn’t create the typical patterns that can help toddlers follow the story, build anticipation and learn to chime in—steps on the path to reading alone. Erratic rhythms, changing stanza lengths and rhyme schemes, and awkward syntax undercut attempts to enliven the tale with poetry.
A story with a tried-and-true plot that needs to freshen up its presentation.