A thrilling work about a political crisis; original and gripping.
A struggling farmer turns into a national figure when he dramatically chooses to become a faithless elector in this novel.
Chance Fitzbourne inherited a Virginia farm when he was only 35 years old, land that had been in his family for generations and that he proudly cherished. Now 67, he’s exhausted from the demands it imposes and the financial precariousness of the industry. He feels swallowed up by the avarice and corruption of the world, a melancholic depletion poignantly depicted by Willis: “There’s too much unknown with farming. Like with most things, the big guys have taken over. They have lobbies, money, and government support. The big guys rule the world.” But in the midst of Chance’s powerlessness, he’s given an opportunity to make a difference. A longtime supporter of the Democratic Party, he’s appointed as an elector for his district, a role that typically only requires the perfunctory rubber-stamping of the winner. But then Democratic President-elect John Vickers suddenly collapses and dies, and the Electoral College process is thrown into confusion and disarray. Chance suddenly becomes a singularly important man after Democratic National Committee Chairman Edwin Damson chooses Sen. Brock Henry instead of throwing his support to Vice President-elect Jane Meyer Grete. Chance strenuously objects to Henry’s brand of radical socialism and considers the lawmaker a “bigoted ass,” refusing to cast his vote for him. Damson, an unscrupulous man, is maniacally intent on changing Chance’s mind, even if that means resorting to intimidation. The author vividly captures the chaos into which the nation descends, including the possibility that the other faithless electors who follow suit were bribed and the White House is somehow involved in a related murder.
Willis builds a suspenseful political drama around a tantalizing premise that proves ingenious because it is both eminently plausible and one on which the Constitution is silent. As a consequence, he delicately exposes the fragility of the democratic process and the rule of law. Furthermore, he avoids sullying the literary execution of this idea with politically partisan ax-grinding—there is plenty of dark corruption on both sides of the ideological aisle. At the heart of the story, though, is Chance’s embittered frustration, expressed in terms provided by the political moment but with deeper roots. Speaking to the Democratic county chairperson, he unleashes his disgruntlement: “I’ve backed the Party for forty-some-odd years, Gwen Ellen. Really voted for some sad candidates. Fortunately, the Republicans haven’t been any better. Politicians get rammed down our throats, qualified or not. I can’t swallow Brock Henry, simple as that.” The author’s irreproachable realism starts to waver toward the end of the story, and some blandly sentimental scenes meant to make readers feel good sneak in incongruently. Nevertheless, this momentary loss of literary nerve doesn’t come close to undermining a thoroughly captivating novel that is as politically astute as it is emotionally affecting.
A thrilling work about a political crisis; original and gripping.Pub Date: Nov. 5, 2020
ISBN: 978-0-578-79553-9
Page Count: 298
Publisher: Self
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: March 15, 2021
Review Program: Kirkus Indie
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
