Jones (A Matter of Breeding, 2014, etc.) brings deliciously dark humor to his psychological thriller, a worthy cousin to...
A Nazi war criminal who fled his homeland shares his story with a young journalist he’s kidnapped.
The unnamed protagonist recounts his life story in a measured, ingratiating first-person narrative interspersed with sections of the memoir he's writing. Born in Vienna in 1916, he describes with pride his early initiation into sex in the bed of the experienced Frau Wotruba, who remains a kind of mentor through the following decades, and his anti-Semitism. He reveals he’s a Nuremberg war criminal hiding out in Central America. Visited by Kate O’Brien, an attractive young journalist who wants to hire his boat for a time, he shares details of his past and even takes her marlin fishing. The charm assault is reciprocal, a mutual flirtation, and he repeatedly calls her “the Irish.” When he sees her thumbing through the pages of his memoirs, he realizes that his disclosures may have put him in danger and sees no other recourse than to imprison her, though he also contemplates “eliminating” her. While Kate is careful not to reveal her distress, he notes subtle shifts in her behavior. Perversely, he turns her into his editor, including her critiques of his writing in the text of the book. In interacting with locals, he does nothing to discourage the rumors that the two are blissfully cohabitating. As descriptions of his activities as a Nazi become more graphic and despicable, both his dissatisfaction with and his dependence on his prisoner intensify. It seems she gives good critique. Their relationship becomes a provocative test of wills, raising a disturbing question: which is the captive?
Jones (A Matter of Breeding, 2014, etc.) brings deliciously dark humor to his psychological thriller, a worthy cousin to John Fowles’ classic The Collector.Pub Date: Dec. 13, 2016
ISBN: 978-1-5040-3873-7
Page Count: 309
Publisher: MysteriousPress.com
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...
Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.
For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.Pub Date: June 5, 2007
ISBN: 978-0-385-52111-6
Page Count: 368
Publisher: Flying Dolphin/Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
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