Jones (A Matter of Breeding, 2014, etc.) brings deliciously dark humor to his psychological thriller, a worthy cousin to...

THE EDIT

A Nazi war criminal who fled his homeland shares his story with a young journalist he’s kidnapped.

The unnamed protagonist recounts his life story in a measured, ingratiating first-person narrative interspersed with sections of the memoir he's writing. Born in Vienna in 1916, he describes with pride his early initiation into sex in the bed of the experienced Frau Wotruba, who remains a kind of mentor through the following decades, and his anti-Semitism. He reveals he’s a Nuremberg war criminal hiding out in Central America. Visited by Kate O’Brien, an attractive young journalist who wants to hire his boat for a time, he shares details of his past and even takes her marlin fishing. The charm assault is reciprocal, a mutual flirtation, and he repeatedly calls her “the Irish.” When he sees her thumbing through the pages of his memoirs, he realizes that his disclosures may have put him in danger and sees no other recourse than to imprison her, though he also contemplates “eliminating” her. While Kate is careful not to reveal her distress, he notes subtle shifts in her behavior. Perversely, he turns her into his editor, including her critiques of his writing in the text of the book. In interacting with locals, he does nothing to discourage the rumors that the two are blissfully cohabitating. As descriptions of his activities as a Nazi become more graphic and despicable, both his dissatisfaction with and his dependence on his prisoner intensify. It seems she gives good critique. Their relationship becomes a provocative test of wills, raising a disturbing question: which is the captive?

Jones (A Matter of Breeding, 2014, etc.) brings deliciously dark humor to his psychological thriller, a worthy cousin to John Fowles’ classic The Collector.

Pub Date: Dec. 13, 2016

ISBN: 978-1-5040-3873-7

Page Count: 309

Publisher: MysteriousPress.com

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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An overly anodyne attempt at Southern gothic.

THE STOLEN MARRIAGE

A series of unfortunate errors consigns a Baltimore nurse to a loveless marriage in the South.

It’s 1943, and Tess, from Baltimore’s Little Italy, is eagerly anticipating her upcoming nuptials. Her frustration grows, though, when her physician fiance, Vincent, accepts an extended out-of-town assignment to treat polio patients. On an impromptu excursion to Washington, D.C., Tess has too many martinis, resulting in a one-night stand with a chance acquaintance, a furniture manufacturer from North Carolina named Henry. Back in Baltimore, Tess’ extreme Catholic guilt over her indiscretion is compounded by the discovery that she’s pregnant. Eschewing a back-street abortion, she seeks out Henry in hopes of arranging child support—but to her shock, he proposes marriage instead. Once married to Henry and ensconced in his family mansion in Hickory, North Carolina, Tess gets a frosty reception from Henry’s mother, Miss Ruth, and his sister, Lucy, not to mention the other ladies of Hickory, especially Violet, who thought she was Henry’s fiancee. Tess’ isolation worsens after Lucy dies in a freak car accident, and Tess, the driver, is blamed. Her only friends are the African-American servants of the household and an African-American medium who helps her make peace with a growing number of unquiet spirits, including her mother, who expired of shock over Tess’ predicament, and Lucy, not to mention the baby, who did not make it to full term. The marriage is passionless but benign. Although Henry tries to be domineering, he always relents, letting Tess take the nurses' licensing exam and, later, go to work in Hickory’s historic polio hospital. Strangely, despite the pregnancy’s end, he refuses to divorce Tess. There are hints throughout that Henry has secrets; Lucy herself intimates as much shortly before her death. Once the polio hospital story takes over, the accident is largely forgotten, leading readers to suspect that Lucy’s death was a convenient way of postponing crucial revelations about Henry. Things develop predictably until, suddenly and belatedly, the plot heats up in an unpredictable but also unconvincing way.

An overly anodyne attempt at Southern gothic.

Pub Date: Oct. 3, 2017

ISBN: 978-1-250-08727-0

Page Count: 384

Publisher: St. Martin's

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

A KILLER EDITION

Too much free time leads a New Hampshire bookseller into yet another case of murder.

Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Pub Date: Aug. 13, 2019

ISBN: 978-1-9848-0272-9

Page Count: 320

Publisher: Berkley

Review Posted Online: May 27, 2019

Kirkus Reviews Issue: June 15, 2019

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