Shivery and smart. A book that brings the legacy of Henry James into the modern world with great effect.
A psychological spook story in the best high literary tradition.
Julie and James are a happenstance couple. They met after James answered Julie’s Craigslist ad and married after he singled himself out by being the only one who kept calling. In spite of their haphazard beginnings, their marriage is a loving one, and the two are so well-suited they seem to “fit together effortlessly.” This holds true until Julie discovers that James has developed a gambling addiction and hidden it from her. In an attempt to rebuild their relationship and remove James from the locus of his compulsion, the couple buys a moldering Victorian manse in a preternaturally tranquil small town outside the city where they met, find new jobs, seek out new friends, and trade their urban lifestyle for the domestic thrills of first-time homeownership. At this point, as should be expected by anyone familiar with the haunted house tale, things quickly fall apart. The house emits an untraceable humming sound and is filled with architecturally improbable hidden rooms. The borders of the nearby woods seem to draw nearer and nearer to the back door, and the woods themselves echo with the games of unseen children. An unnerving next-door neighbor, spontaneous bruises that spread across Julie’s skin, childlike drawings that appear on the walls, and James’ periodic descent into fugue states set the stage for a read-in-one-sitting, sleep-with-the-lights-on book; however, the real scare in this truly haunting novel stems from the way Jemc (A Different Bed Every Time, 2014, etc.) keeps the psychological tension of Julie and James’ relationship taut. Telling the story from alternating perspectives, Jemc reveals Julie’s and James’ growing distrust of each other and themselves even as she manipulates the novel's language to reflect the evolution of what is either psychosis or possession.
Shivery and smart. A book that brings the legacy of Henry James into the modern world with great effect.Pub Date: Aug. 1, 2017
ISBN: 978-0-374-53691-6
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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