An engrossing tour of the global cutting edge, balanced between memoir, musicology, and technology.



Sharply detailed exploration of how technology and globalization have transformed participatory audio culture for top-dollar DJs and African ensembles alike.

Clayton, a contributor to n+1 and the Washington Post, among other publications, has toured and recorded as DJ/rupture, reflecting a lifelong obsession with the behind-the-scenes functionality of popular music. “I’ve spent time in music venues all over the world,” he writes, “from bacchanalian raves in Bristol to Egyptian street weddings.” His fundamental thesis is that the current pessimism (and shaky finances) surrounding the music industry conceals remarkable opportunities. “For each of the avenues closed down by the proliferation of digital technology, unexpected new pathways have opened up,” he writes. Though his cultural perspective seems sprawling, this collection is cohesively structured: each essay examines different technological innovations alongside the far-flung musical subcultures utilizing them to leapfrog past relative obscurity. For example, he discusses the controversial song-polishing program Auto-Tune via its embrace by Moroccan Berber pop musicians: “Auto-Tune sound tracks…a bucolic nation made real only in its digital diaspora.” Similarly, Clayton examines how a Brooklyn entrepreneur became a promoter and archivist of the music he’d collected off discarded Saharan cellphones, while controversial self-taught “cut and paste” rapper M.I.A. “sliced across style lines to become [a] must-hear secret.” The author occasionally delves into his own wry tales of incongruous experiences as a globe-trotting DJ, but he minimizes such personalization by focusing on the nitty-gritty of musicianship, showing off the gearhead obsessiveness and deep playlists essential to his career. Clayton writes adeptly about more forms of music than his DJ identity might suggest, contrasting the communities developed by underground rock ensembles like The Ex and Fugazi with the alienating experiences of obscure acts abruptly “discovered” by the hipster hype machine—e.g., Konono No. 1 or Omar Souleyman. “Musical innovation and excitement,” he writes, “emerge from a community experience, wherein the most groundbreaking or influential artists are rarely the most lauded.”

An engrossing tour of the global cutting edge, balanced between memoir, musicology, and technology.

Pub Date: Aug. 16, 2016

ISBN: 978-0-374-53342-7

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 25, 2016

Kirkus Reviews Issue: June 15, 2016

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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