Best for extremely patient readers, who will be rewarded with some exceptionally beautiful passages in the final 100 pages,...

LALA

First-time novelist Dehnel uses his grandmother’s life and reminiscences as a springboard for a sweep through Poland’s turbulent 20th century, mingled with musings on the nature of storytelling.

Though she was born in 1919, Lala’s stories begin with the childhoods of her grandparents, Polish aristocrats who inhabited a “mythical land…beyond an impenetrable wall, in the bizarre world that we agree to call the past.” The author himself is a character here, appearing first as a 14-year-old who, toward the end of the 20th century, delights in writing down and relating to friends his Granny’s tales of the way of life ended by World War I. Both Lala and her mother have complicated love lives involving multiple marriages and children not necessarily the offspring of their husbands at the time, but Granny also branches off into chronicles of the peasant brigands and thieving servants who made the family’s home turf in Lisów “the greatest bandit village on earth.” Jacek is fascinated by it all, but readers may be more restless. It’s difficult to keep track of everyone wandering in and out of Granny’s fragmented recollections, particularly during the grim World War II years, when surprisingly decent Germans, roving partisans, and then triumphant Soviets come and go in droves. What gives the novel gathering force, as Granny’s memory fails and her body deteriorates, is Jacek’s keening meditation on the transience of earthly things. Observing the garden of his family home, so lush in his childhood, he grieves: “Because I knew that with…the hacking down of every tree, with the inevitable death of each peony or rosebush that the rampant weeds had choked, came the irrevocable erasure of a primeval codex, the obliteration of ancient formulae and epic poems.” His book—this book—is his tribute to that vanished world and the grandmother who brought it to life for him.

Best for extremely patient readers, who will be rewarded with some exceptionally beautiful passages in the final 100 pages, poignantly alive with loss and love.

Pub Date: July 10, 2018

ISBN: 978-1-78607-357-0

Page Count: 400

Publisher: Oneworld Publications

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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