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HOT PROWL

Painstakingly researched, exhaustive and direct; true-crime enthusiasts will not be disappointed.

Awards & Accolades

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This debut true-crime book offers a meticulously detailed account of the Original Night Stalker, who terrorized California for years and was never caught.

In the mid- to late ’70s, a man dubbed the East Area Rapist committed a series of rapes in California. He was never apprehended for his crimes, and years later, all DNA testing could do was link the anonymous man to a string of unsolved murders attributed to someone the authorities had taken to calling the Original Night Stalker. Gray’s book discusses the crimes as if they were perpetrated by one person, known as the EAR-ONS, and Gray’s choice to outline the rapes/murders chronologically is a smart one, showing a man’s disturbing descent into progressively more hostile and lethal acts. The EAR-ONS’ assaults are presented in “phases” that reveal his frightening evolution—from targeting female victims to male/female couples; moving to other cities; and developing heightened aggression that featured biting. Gray approaches the material in a dispassionate tone, relaying the events like a report, with phases using subheaders such as Dates and Times, Modus Operandi, and Evidence. This, however, allows the book to focus on the more human qualities of the rapist-murderer; instead of treating the man like a monster, Gray deliberates on the ways in which the EAR-ONS evaded the police, in particular by wearing a mask and stopping his crimes altogether when the media coverage intensified. The book does occasionally become repetitive; at several different points, for instance, Gray notes the possibility that the EAR-ONS learned to conceal his identity from reading and watching detective movies and magazines. His “Personal Theory,” in which Gray essentially dramatizes the crimes from the killer’s perspective, is mostly reiteration made up of speculations that were voiced earlier in the book. The author also includes conjecture on how the EAR-ONS might have spent his childhood years and offers potential lessons, such as increasing citizen awareness via billboards—an approach that, as Gray mentions, has worked. Though not quite as scary as the author suggests—he recommends locking your door before reading the book—it is irrefutably unsettling; the EAR-ONS creeping into a house to unload the homeowners’ gun prior to an attack will make most readers shiver.

Painstakingly researched, exhaustive and direct; true-crime enthusiasts will not be disappointed.

Pub Date: Aug. 26, 2013

ISBN: 978-0615813059

Page Count: 292

Publisher: Freeway Books

Review Posted Online: June 19, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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