A first-time novelist brings the horrors of war to vivid life in this tale of a young girl's struggle to survive in ravaged Sarajevo. Every day shells rain down on Sarajevo, citizens risk death crossing Sniper's Alley, and the social fabric of the city disintegrates so profoundly that children routinely wander off from their families and entire buildings are taken over by urchins. Such is the case with the Hotel Sarajevo, now commandeered by teenaged Luka (``the king'') who has hand-picked his subjects from the pool of neighborhood orphans and taught them to raid similar bands of children for firewood and food. Alma—a quiet, watchful 13-year- old—plays a peripheral role in this group, dodging the advances of Milorad the ``poet,'' longing for a kiss from Luka, and envying the glory of ``Princess Sandra,'' Luka's companion and a symbol of innocence and beauty for them all. Having lost track of her mother long ago, Alma clings to the hotel residents for protection even as they're killed off, one by one—by the shelling, by snipers, by illness, and finally by a kind of willed suicide. Increasingly desperate to maintain her sense of self, Alma teams up with Omar, a boy she meets while viewing the bodies of a pair of lovers killed in each other's arms. Alma and Omar become lovers themselves and decide to try to flee Sarajevo—only to be caught by the enemy in the frigid mountains that have imprisoned them for so long. Lord of the Flies comes to mind, as does The Diary of Anne Frank. In the end, though, all comparisons fall away as the terrible truth of Kersh's fiction emerges. A haunting, masterful work.
Pub Date: Oct. 15, 1997
ISBN: 1-885983-21-2
Page Count: 256
Publisher: Turtle Point
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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