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Meditations on some of life’s biggest questions as told through some harrowing experiences.

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A caring counselor with all the answers is sent into a tailspin after a tragic climbing accident on Mount Everest.

When Roberto Sanchez is first introduced, he’s a surly, bitter shell of a man, unable to cope with the horrible loss of his legs—the grim result of surviving a sudden avalanche on the world’s highest mountain. Each day the man wheels into his therapist’s office, he appears darker and more despondent than the day before. His loving wife, Monique, and steadfast daughter, Jenny, are at wit’s end, fearing that although Roberto has survived death, he remains stubbornly locked in the icy clutches of a life-sapping grief. Only when his journal is cracked open, and stories of his many encounters with at-risk kids emerge, is Roberto’s true identity revealed. Despite the nihilism that seeped into his battered and traumatized heart, Roberto was one of the most upbeat and insightful human beings anyone would ever want to meet. Through his work, Roberto practically single-handedly rescued scores of marginalized children from the depths of the bleakest despair. Langedijk’s dialogue-heavy narrative comes alive during these often profoundly moving and genuinely touching vignettes. For instance, Kong, an overweight loner mentored by Roberto, moonlights as an anonymous online angel for other depressed kids like himself while also meticulously describing his efforts to connect in the real world. “I don’t know if you remember,” he tells Roberto, “but purple, purple is where someone says hi or even waves or nods. Well, I don’t know if you noticed but when I first did this I never had any purple, but now every day—purple….Purple!” If that doesn’t loosen a tear, there’s the story in Roberto’s journal of a cheerful doorman named Aaron, who started life as boy-soldier in Joseph Kony’s ghastly Lord’s Resistance Army in Uganda. Aaron isn’t actually one of Roberto’s young clients, but like Kong and the rest of Roberto’s former charges, he helps the maimed counselor reclaim his passion for life. Langedijk has lots to say about courage, compassion, redemption, and self-worth. Although those life lessons are more compelling than the actual drama unfolding around Roberto’s post-Everest experience, they more than make the journey with him worthwhile. 

Meditations on some of life’s biggest questions as told through some harrowing experiences.

Pub Date: Sept. 14, 2014

ISBN: 978-0-9937586-1-4

Page Count: 388

Publisher: CreateSpace

Review Posted Online: June 25, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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