Pitched just right for students of literature, Shakespeareans and those interested in the history of drama: a witty and...
An accessible chronicle of Shakespeare’s rise to his present glory.
Samuel Johnson scholar Lynch (English/Rutgers) quickly makes clear what this study involves: “the long process that turned a very competent playwright into a demigod.” Picking up where many a Shakespearean leaves off, he dismisses the authorship question entirely. “Fantasies about faked deaths and undercover noblemen certainly make for an exciting story,” he writes, “but there’s nothing to them.” Lynch focuses instead on charting Shakespeare’s transformation from a popular playwright in his day to a writer many now consider the keystone of the Western literary canon. This metamorphosis, he contends, has taken hundreds of years and the collected efforts of numerous individuals from a variety of arenas, some more predictable than others. It was only after the Restoration in 1660, for instance, that Shakespeare’s work gained onstage life it hadn’t known since the Puritans closed the public theatres in 1642. Charles II sanctioned two new theatres, which brought drama back to the fore of London life and enabled late-17th- to early-18th-century actors such as Thomas Betterton, James Quin, David Garrick and Sarah Siddons to gain great fame by playing Shakespeare’s leading roles. Lynch provocatively argues that the great rise in literacy occurring around the time of the Restoration also contributed to the birth of critical interest in the plays as texts; fierce disputes arose over their interpretation, the manna of Shakespeare criticism to this day. He engagingly details the strengths, shortcomings and literary relevance of major editions alongside those now merely of historical interest because they attempted to sanitize the bawdy bard to reflect the more decorous tastes of late-18th-century or Victorian sensibilities.
Pitched just right for students of literature, Shakespeareans and those interested in the history of drama: a witty and appealing story of how a superstar was born.Pub Date: July 1, 2007
ISBN: 978-0-8027-1566-1
Page Count: 320
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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