A raucous comedy about a hapless, well-endowed innocent.
The picaresque adventures of a young man oddly blessed by nature.
Murphy’s uproarious fiction debut centers on the improbable character of Manas, whom readers meet on the occasion of his birth, being very comfortable in his mother Shadow’s womb and perhaps hesitating since he senses that his father, Walter, is a thuggish, violent brute whose acquaintance he’d rather not make. Manas is Shadow’s first child since her stay in a mental hospital, and even while he’s still a baby, it becomes obvious that he has a rather distinctive physical attribute: a freakishly large male member. “[T]he nurses at the pediatrician’s offices were always present, watching in silence, each time he was brought in for a check-up.” And it’s getting bigger with every passing year. The boy’s father wastes no time in trying to profit from this bounty, but once Manas graduates high school, he runs away to join the circus, where he’s befriended by fellow freaks, including a dwarf named Baby Deadly who tries to dissuade Manas from seeing his enormous member as a curse. “I see it as an astounding gift,” she tells him, “a blessing of Nature bestowed upon you and you alone. We must segue you from a negative paradigm to a more positive one.” Manas and his coterie eventually encounter a wildly inventive cast of eccentric characters, including the ancient Nathaniel Totem Vary—whose Out-of-Context Word-of-God Bible strings together all the portions of the Bible dealing with sex, beatings and murder—and Leander Basalt, the phlegmatic traveling salesman who sells Vary’s book. The novel’s exuberant dialogue and quick pacing perfectly match the sardonic tone Murphy adopts throughout. That tone can be brutal, and the comedy is often sharp and dark, reminiscent of John Kennedy Toole’s A Confederacy of Dunces (1980). Yet the nihilism is much closer to Paul Thomas Anderson’s Boogie Nights (1997), clearly the novel’s progenitor when it comes to Manas and his miraculous endowment. Murphy brings the whole thing to a frenzied, bitterly funny climax in which, among other things, some poetic justice is meted out to loutish Walter.
A raucous comedy about a hapless, well-endowed innocent.Pub Date: Nov. 11, 2013
ISBN: 978-1-4327-9931-1
Page Count: 278
Publisher: Outskirts Press Inc.
Review Posted Online: March 25, 2014
Kirkus Reviews Issue: May 1, 2014
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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