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KING'S COUNSEL

A MEMOIR OF WAR, ESPIONAGE, AND DIPLOMACY IN THE MIDDLE EAST

Insights about failed diplomacy in the Middle East by an American agent with a unique perspective.

After earning a law degree and a doctorate, the late O’Connell (1921–2010) joined the CIA and was stationed in Jordan in 1958, where he won the trust of King Hussein, a significant U.S. ally in the volatile Middle East. After leaving the CIA in the early ’70s, the author joined his brother's law firm and became Hussein's Washington representative. The two men dealt with each other, in public and private, thousands of times. O'Connell came to see Hussein as the most likely broker of accord between the Jewish state of Israel and its Arab antagonists. But frequently his comrades at the CIA, as well as other U.S. government officials, seemed blinded to Hussein's potential as a peace broker because of political allegiances to Israel. Throughout the narrative, the author portrays many prominent American political figures as fools or liars, or both—including Henry Kissinger, Lyndon Johnson, Condoleezza Rice and George W. Bush. The memoir is bound to cause controversy within Israel and among Israeli supporters around the globe, given the author's rage at what he believes is a murderous state whose most influential leaders prefer war to peace. Despite the foibles of the CIA, O'Connell demonstrates little ill will, remaining a loyal alumnus. A readable, potentially incendiary account that assumes a certain amount of prior knowledge about Middle East diplomacy, yet is coherent enough for novice readers to follow. 

 

Pub Date: May 19, 2011

ISBN: 978-0-393-06334-9

Page Count: 288

Publisher: Norton

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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THE ORDER OF THE DAY

In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.

A meditation on Austria’s capitulation to the Nazis. The book won the 2017 Prix Goncourt.

Vuillard (Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business, 2017, etc.) is also a filmmaker, and these episodic vignettes have a cinematic quality to them. “The play is about to begin,” he writes on the first page, “but the curtain won’t rise….Even though the twentieth of February 1933 was not just any other day, most people spent the morning grinding away, immersed in the great, decent fallacy of work, with its small gestures that enfold a silent, conventional truth and reduce the entire epic of our lives to a diligent pantomime.” Having established his command of tone, the author proceeds through devastating character portraits of Hitler and Goebbels, who seduced and bullied their appeasers into believing that short-term accommodations would pay long-term dividends. The cold calculations of Austria’s captains of industries and the pathetic negotiations of leaders who knew that their protestations were mainly for show suggest the complicated complicity of a country where young women screamed for Hitler as if he were a teen idol. “The bride was willing; this was no rape, as some have claimed, but a proper wedding,” writes Vuillard. Yet the consummation was by no means as smoothly triumphant as the Nazi newsreels have depicted. The army’s entry into Austria was less a blitzkrieg than a mechanical breakdown, one that found Hitler stalled behind the tanks that refused to move as those prepared to hail his emergence wondered what had happened. “For it wasn’t only a few isolated tanks that had broken down,” writes the author, “not just the occasional armored truck—no, it was the vast majority of the great German army, and the road was now entirely blocked. It was like a slapstick comedy!” In the aftermath, some of those most responsible for Austria’s fall faced death by hanging, but at least one received an American professorship.

In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.

Pub Date: Sept. 25, 2018

ISBN: 978-1-59051-969-1

Page Count: 144

Publisher: Other Press

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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THE DAIRY RESTAURANT

An informative, nostalgic evocation of a special urban dining experience.

An account of once-popular New York restaurants that had a rich social and cultural history.

“Since, by choice or historical necessity, exile and travel were defining aspects of Jewish life, somewhere a Jew was always eating out,” observes cartoonist and MacArthur fellow Katchor (Illustration/Parsons, the New School; Hand-Drying in America, 2013, etc.) in his exhaustively researched, entertaining, and profusely illustrated history of Jewish dining preferences and practices. The Garden of Eden, he notes wryly, was “the first private eating place open to the public,” serving as a model for all the restaurants that came after: cafes, cafeterias, buffets, milk halls, lunch counters, diners, delicatessens, and, especially, dairy restaurants, a favorite destination among New York Jews, which Katchor remembers from his wanderings around the city as a young adult. Dairy restaurants, because they served no meat, attracted diners who observed kosher laws; many boasted a long menu that included items such as mushroom cutlet, blintzes, broiled fish, vegetarian liver, and fried eggplant steak. Attracted by the homey appearance and “forlorn” atmosphere of these restaurants, Katchor set out to uncover their history, engaging in years of “aimless reading in the libraries of New York and on the pages of the internet,” where he found menus, memoirs, telephone directories, newspaper ads, fiction, and food histories that fill the pages of his book with colorful anecdotes, trivia, and food lore. Although dairy restaurants were popular with Jewish immigrants, their advent in the U.S. predated immigrants’ demand for Eastern European meatless dishes. The milk hall, often located in parks, resorts, or spas, gained popularity throughout 19th-century Europe. Franz Kafka, for example, treated himself to a glass of sour milk from a milk pavilion after a day in a Prague park. Jews were not alone in embracing vegetarianism. In Europe and America, shunning meat was inspired by several causes, including utopian socialism, which sought to distance itself from “the beef-eating aristocracy”; ethical preferences; and health concerns. A meatless diet relieved digestive problems, many sufferers found.

An informative, nostalgic evocation of a special urban dining experience.

Pub Date: March 10, 2020

ISBN: 978-0-8052-4219-5

Page Count: 496

Publisher: Schocken

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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