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“I”

THE CREATION OF A SERIAL KILLER

True-crime entertainment at its best.

Veteran true-crime author Olsen (Hastened to the Grave, 1998, etc.) explores the crimes and motivations of a truck-stop murderer.

In an alternating first-person/third-person account, Olsen relates the story of Keith Hunter Jesperson, a.k.a. The Happy Face Killer, who murdered eight women in the early- to mid-1990s in the West and Pacific Northwest. The narrative flashes back and forth between a suspenseful chronicle of the murders and Jesperson’s dysfunctional childhood. The black sheep of his family, brutalized physically and psychologically by his father, he grew into a powerful six-and-a-half-foot galoot capable of volcanic rage and with a penchant for torturing small animals. He drifted into a career as an over-the-road trucker, which offered the perfect half-invisible lifestyle for an angry loner. At first indulging his taste for rough, domineering sex with truck-stop prostitutes, Jesperson began to have homicidal fantasies and ultimately started murdering them by slow strangulation. Women who sold their bodies deserved their fate, he believed. He successfully eluded detection or suspicion but began to be plagued by guilt because two innocent people were wrongly jailed for his first murder; he deliberately became careless so that he could be tracked down and caught. The author examines various possible reasons why Jesperson became a serial killer, but his conclusion seems to be that given the right combination of harsh life experiences, rage, opportunity, and lack of self-control, almost anyone could go that route. The pretense of exploring and understanding Jesperson’s psychology is a bit of a sham, as the real purpose here seems to be to serve up a titillating account of squalid murders and violent sex. But for the genre, this is crackerjack stuff. Olsen obviously had thorough access to Jesperson (who is currently doing life), his family, and friends. One unexpected reward is the fascinating insider’s glimpse of the world of long-haul truckers.

True-crime entertainment at its best.

Pub Date: Aug. 20, 2002

ISBN: 0-312-24198-4

Page Count: 384

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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