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THE MISBEGOTTEN SON

A SERIAL KILLER AND HIS VICTIMS

Mesmerizing, mournful portrait of serial-killer/rapist Arthur Shawcross—who also practiced necrophilia and cannibalism—that digs deep to lay his tortured psyche bare. Olsen has profiled numerous madmen before (Predator, 1991, etc.) but rarely with such diligence—or one so heinous. He presents Shawcross's story in oral-history form, binding together testimony from the killer (mostly Q&A transcripts), cops, psychiatrists, relatives of Shawcross's victims, etc., with his own extensive narration. An expert storyteller, Olsen begins with high melodrama: the disappearance in 1972 in Watertown, New York, of ten-year-old Jack Blake—Shawcross's first victim, raped, mutilated, and killed. Despite the insistence of Jack's mother that neighbor Shawcross—then a notably eccentric 27-year-old Vietnam vet—had slain her boy, it took a second killing, of a local girl, to put Shawcross behind bars for a presumed 25 years. But after 14 years, the killer convinced a parole board of his rehabilitation and was freed. Moving to Rochester and marrying a prison pen-pal, Shawcross went on a years'-long spree of killing prostitutes. Dogged police work and a lucky break finally did him in. Olsen closely details Shawcross's gruesome crimes and the cops' counterpoint, but his focus is on motivation: What made Shawcross kill? The author excavates the murderer's early years, uncovering an unhappy home but no striking abuse; explores Shawcross's own rational—that he became a killer in Vietnam—and finds his stories of jungle savagery to be tall tales; and locates only a few clues in Shawcross's accounts of his murders. The unexpected answer is revealed at book's end, in testimony from a psychiatrist who discovered behind the killer's compulsion a terrible biological imperative: an extra Y chromosome and a rare chemical imbalance. Olsen explains Shawcross without excusing him, creating an unforgettable portrait, horrifying yet compassionate, of a doomed modern-day monster.

Pub Date: March 1, 1993

ISBN: 0-385-29936-2

Page Count: 528

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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