A wealth of funny new verse from a favorite poet. Prelutsky’s comic muse is at its best here – whether describing a homemade robot gone berserk (“…it ate the dust pan/and attacked us with the broom, /it pulled apart our pillows, /it disheveled both our beds…”) or a whimsical trip to yesterday (“I’m moving very fast/as I’m putting off the future/for the rather recent past…”), he uses unexpected, vivid words in infectiously rhythmic cadences. Amusing details abound – in a long list of the many fish a boy is not catching, or in a tall-tale adventure “that’s the reason why my homework/isn’t here with me today.” Many of the entries end with a nifty surprise or a deft comical twist. Stevenson, who also illustrated Prelutsky’s The New Kid on the Block (1984), contributes quietly hilarious b&w art. Another winner from this talented pair. (Poetry. 5+)
Pub Date: Sept. 8, 1990
ISBN: 0-688-06434-5
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1990
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rich, naturalistic details will delight lovers of marine life.
A Monterey Bay sea otter comes of age.
Odder’s mom told her to stay away from sharks, humans, and anything else she didn’t understand, but after saving her friend Kairi from a shark attack, she encounters all three. Injured herself during the rescue, Odder ends up recuperating at the Monterey Bay Aquarium, or Highwater as the otters call it, where she once lived as a young orphaned pup. Last time, the humans helped her reintegrate into the wild, but because of her injuries this time the outcome might be different. Soon Kairi is there too, stricken with “the shaking sickness” and having lost her newborn pup. Now Kairi is fostering a new pup, and soon one is introduced to an initially reluctant Odder in hopes that she will help raise it so it can return to the wild. The free verse effortlessly weaves in scientific information, giving Odder a voice without overly anthropomorphizing any of the animals. The natural appeal of sea otters will draw readers in, but the book doesn’t shy away from real-world threats such as predators, disease, and pollution. Loosely based on the stories of real sea otters rehabilitated at the Monterey Bay Aquarium, this novel will give readers lots to talk about, but uneven pacing and a rushed ending may leave some unsatisfied. Charming black-and-white spot art captures the world and life of the sea.
Rich, naturalistic details will delight lovers of marine life. (glossary, author’s note, bibliography, resources) (Verse novel. 8-12)Pub Date: Sept. 20, 2022
ISBN: 978-1-250-14742-4
Page Count: 288
Publisher: Feiwel & Friends
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
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