by Jack Todd ‧ RELEASE DATE: Oct. 17, 2017
A sympathetic but slight fairy tale is overshadowed by its more nuanced forebear, The Tempest.
Innocence is savagely confronted by intolerance in a modern morality tale with classical roots.
Meet Poe Revere Didelot, aka The Giant Poe, impossibly tall and broad, with a “port-wine stain like a blood sign splashed on his face and neck,” a “hump on his back,” and “strange eyes of two different colors.” He has six fingers on each hand and six toes on each foot, and he’s the beloved son of indomitable cheese-maker Rose in the isolated rural community of Belle Coeur County. A freak of nature, Poe lives a peaceful life, tending goats, fishing, and admiring from afar Miranda Thorne, the lovely, clever daughter of mentally failing, previously stellar Boston trial lawyer Prosper Thorne. Add a “sprite” of a courier named Airmail, riding a Kawasaki Ninja motorbike, and you have the bones of Shakespeare’s cast list for The Tempest, updated by Todd (Rain Falls Like Mercy, 2011, etc.) and reshaped as a simpler fable with a contemporary edge. Poe, a sweeter version of Caliban, has the misfortune of observing the rape and beating of Miranda, a crime for which he is arrested, tried, and acquitted, after which a larger and even more devastating attack is inflicted—on the Didelots—by the community. Todd’s curiosity of a novel touches on the familiar features of the original play—a once-powerful man in exile; a wondrous daughter; a suggestion of magic and fantastical beasts—but its shape is both different and more familiar: Poe is a “gentle giant, the man who wouldn’t hurt a fly,” assailed by a society fearful of and vengeful toward the “other.” Though the writing is lyrical and the storytelling sincere, a sense of stereotype infuses this strange mix of police procedural and legend.
A sympathetic but slight fairy tale is overshadowed by its more nuanced forebear, The Tempest.Pub Date: Oct. 17, 2017
ISBN: 978-1-77041-399-3
Page Count: 248
Publisher: ECW Press
Review Posted Online: Aug. 5, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Han Kang ; translated by Deborah Smith ‧ RELEASE DATE: Feb. 2, 2016
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by Han Kang ; translated by Deborah Smith & Emily Yae Won
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by Han Kang translated by Deborah Smith
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