Turner’s writing is muscular, never swaggering, and almost lyrical, summoning a Teton Range in its rightful, sublime...

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TEEWINOT

A YEAR IN THE GRAND TETONS

Mountaineer Turner’s (The Abstract Wild, 1996) portrait of a Teton guiding season is a measured luxuriance in the landscape, a love song to the natural history of a place, and a tad self-conscious and defensive tale.

It might be May when Turner’s story begins, but it is snowing and two feet of the stuff lies on either side of the road to his cabin away in the Teton backcountry. Turner has worked as a guide here for the fabled Exum Service for over two decades. He has distilled those years into this memoir, “a collusion of memory and desire” in which he escorts readers through the months, pointing out the wildlife, introducing his guiding companions, detailing climbs, roaming and roaming until he hits on something that strikes his fancy (dippers or sandhill cranes, native dyestuffs or old mineshafts) and allows him to hold forth for a time. While there can be a childlike joy in his voice when calling attention to something worth marveling at, there is also a sense that Turner is as relaxed as a jumped rhino, and wrapped “in a version of the heroic myth. Everyone at Exum has at some time in their lives lived out this myth, although it is increasingly difficult to do so when the myths are buried under layers of cynicism and irony.” He works hard at a hardboiled sensitivity (he won’t paint the sheetrock of his cabin, for example, but he’ll tack up a Wolf Kahn landscape ripped from a calendar) and wears his Zen on his sleeve: “Thus Po Chu-i could say, with subtle allusion, ‘Clear cries, several voices—cranes under the pines.’ ” Sometimes the trail is rough, but ultimately the views are spectacular.

Turner’s writing is muscular, never swaggering, and almost lyrical, summoning a Teton Range in its rightful, sublime austerity. His own sensibilities, though, are a bit overdone at times. (b&w photos, not seen)

Pub Date: June 8, 2000

ISBN: 0-312-25197-1

Page Count: 272

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2000

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A tiny book, not much bigger than a pamphlet, with huge potential impact.

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NO ONE IS TOO SMALL TO MAKE A DIFFERENCE

A collection of articulate, forceful speeches made from September 2018 to September 2019 by the Swedish climate activist who was nominated for a Nobel Peace Prize.

Speaking in such venues as the European and British Parliaments, the French National Assembly, the Austrian World Summit, and the U.N. General Assembly, Thunberg has always been refreshingly—and necessarily—blunt in her demands for action from world leaders who refuse to address climate change. With clarity and unbridled passion, she presents her message that climate change is an emergency that must be addressed immediately, and she fills her speeches with punchy sound bites delivered in her characteristic pull-no-punches style: “I don’t want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act.” In speech after speech, to persuade her listeners, she cites uncomfortable, even alarming statistics about global temperature rise and carbon dioxide emissions. Although this inevitably makes the text rather repetitive, the repetition itself has an impact, driving home her point so that no one can fail to understand its importance. Thunberg varies her style for different audiences. Sometimes it is the rousing “our house is on fire” approach; other times she speaks more quietly about herself and her hopes and her dreams. When addressing the U.S. Congress, she knowingly calls to mind the words and deeds of Martin Luther King Jr. and John F. Kennedy. The last speech in the book ends on a note that is both challenging and upbeat: “We are the change and change is coming.” The edition published in Britain earlier this year contained 11 speeches; this updated edition has 16, all worth reading.

A tiny book, not much bigger than a pamphlet, with huge potential impact.

Pub Date: Nov. 26, 2019

ISBN: 978-0-14-313356-8

Page Count: 112

Publisher: Penguin

Review Posted Online: Nov. 3, 2019

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Jahren transcends both memoir and science writing in this literary fusion of both genres.

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LAB GIRL

Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.

The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.

Jahren transcends both memoir and science writing in this literary fusion of both genres.

Pub Date: April 5, 2016

ISBN: 978-1-101-87493-6

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 5, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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