DAUGHTER OF THE QUEEN OF SHEBA

A MEMOIR

Three powerful women form the backbone of this beautifully written narrative about the wish, both rational and not, to be elsewhere: crusty, earthy Mabel; her daughter Dolores, the self- styled Queen of Sheba in her manic visions; and the author, Dolores's daughter, a reporter for NPR. Anyone who has heard Lyden's crisp journalistic voice on the radio will be surprised by the lush (at times overly lush) imagery and riptides of emotion that characterize her writing in this memoir of her mother's madness. Compassion, fury, love, hatred—all battle within Lyden during three decades in which Dolores's periodic bouts of mania disrupt her and her two sisters' lives. Her rage with Dolores's refusal to accept treatment jostles with her wonder at the rich fantasies her mother creates and admiration for the sensual vitality and sheer force of will that keep her alive. In one of the tragicomic scenes related here, Lyden brings some friends home to her small Wisconsin town for a local celebration, only to find a mother who fancies herself Marie Antoinette, dressed only in ``a black bustier with garters, which dangle over a transparent lilac half-slip.'' With each manic outburst, Mabel, who has a mouth like a sewer and a spine of steel, calls Lyden with her plaintive refrain, ``Cantcha come up, Jack? Cantcha come up?'' With her education and artistic gift frustrated by her father, a first husband who became deaf after falling off a roof, a second husband who was wealthy and abusive (the click in Lyden's jaw is a permanent reminder of the time he smashed her head against a wall)- -Dolores's life gives her good reason to flee. Lyden links her own journalist's wanderlust to her mother's escape into madness, and finds herself in places like Iraq and northern Ireland, where the whole world seems crazier than Dolores. Lyden memorably illuminates both the alluring fantasy and the shocking reality of madness in a volume filled with poetry and awe. (First printing of 50,000; $50,000 ad/promo; author tour)

Pub Date: Oct. 1, 1997

ISBN: 0-395-76531-5

Page Count: 257

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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