Sharp, observant, darkly funny and deeply humane. Another winner from Appel.
Winner of Butler University’s Pressgang Prize, this collection examines the dangers and seductions of fantasy and lies.
Hardworking Appel (The Man Who Wouldn’t Stand Up, 2014, etc.), an attorney, physician, bioethicist, essayist and fiction writer, published a strong story collection in Scouting for the Reaper (2014). Now, in the eight stories comprising this volume (some previously published in literary magazines), he offers an equally strong, striking follow-up. Many of the stories here involve characters being asked to participate in some kind of deception, ranging from children’s fibs to murder. In the title story, a travel guide identifies a family’s run-down bungalow as the cottage where Albert Einstein spent his Princeton summers. When tourists arrive, the narrator’s father puts up a blackboard with equations scribbled from a math textbook and starts charging money. But then an old woman shows up claiming to be Einstein’s niece—and claiming, therefore, ownership of the house. Bewilderingly, she succeeds: “That marked the end of Papa’s clever ideas.” In the superb “La Tristesse Des Hérissons,” Josh, the narrator, humors his girlfriend Adeline’s obsessive caretaking of a pet hedgehog, such as keeping quiet during sex lest “an errant moan…alarm our barbed roommate. Actually, the word she used wasn’t alarm. It was traumatize.” Expensive veterinarian and pet psychiatrist visits follow. Diagnosis: hedgehog depression. Treatments include complete darkness, so Josh light-proofs the apartment, “while Adeline tend[s] to the hedgehog in a rented darkroom at the Manhattan Institute of Photography.” Appel brilliantly contrasts Josh’s pungent wit about the situation’s absurdities with the couple’s real, mostly unspoken needs, conflicts and sad family histories. By the end, it’s clear Josh values the hedgehog, too, exactly for its prickly, stabbing neediness. “Paracosmos,” a very different story, shows a similar ambiguity about fantasy. A woman meets her daughter’s imaginary friend’s seemingly real father and has an affair with him. She doesn’t question his reality—why would she: “[W]hether Steve was the product of a coincidence or a hoax or a paranormal vortex, she did not want to lose him.”
Sharp, observant, darkly funny and deeply humane. Another winner from Appel.Pub Date: Dec. 5, 2014
ISBN: 978-0984940585
Page Count: 188
Publisher: Pressgang
Review Posted Online: Jan. 16, 2015
Kirkus Reviews Issue: Feb. 1, 2015
Review Program: Kirkus Indie
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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