by Jacob M. Appel ‧ RELEASE DATE: Dec. 5, 2014
Sharp, observant, darkly funny and deeply humane. Another winner from Appel.
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Winner of Butler University’s Pressgang Prize, this collection examines the dangers and seductions of fantasy and lies.
Hardworking Appel (The Man Who Wouldn’t Stand Up, 2014, etc.), an attorney, physician, bioethicist, essayist and fiction writer, published a strong story collection in Scouting for the Reaper (2014). Now, in the eight stories comprising this volume (some previously published in literary magazines), he offers an equally strong, striking follow-up. Many of the stories here involve characters being asked to participate in some kind of deception, ranging from children’s fibs to murder. In the title story, a travel guide identifies a family’s run-down bungalow as the cottage where Albert Einstein spent his Princeton summers. When tourists arrive, the narrator’s father puts up a blackboard with equations scribbled from a math textbook and starts charging money. But then an old woman shows up claiming to be Einstein’s niece—and claiming, therefore, ownership of the house. Bewilderingly, she succeeds: “That marked the end of Papa’s clever ideas.” In the superb “La Tristesse Des Hérissons,” Josh, the narrator, humors his girlfriend Adeline’s obsessive caretaking of a pet hedgehog, such as keeping quiet during sex lest “an errant moan…alarm our barbed roommate. Actually, the word she used wasn’t alarm. It was traumatize.” Expensive veterinarian and pet psychiatrist visits follow. Diagnosis: hedgehog depression. Treatments include complete darkness, so Josh light-proofs the apartment, “while Adeline tend[s] to the hedgehog in a rented darkroom at the Manhattan Institute of Photography.” Appel brilliantly contrasts Josh’s pungent wit about the situation’s absurdities with the couple’s real, mostly unspoken needs, conflicts and sad family histories. By the end, it’s clear Josh values the hedgehog, too, exactly for its prickly, stabbing neediness. “Paracosmos,” a very different story, shows a similar ambiguity about fantasy. A woman meets her daughter’s imaginary friend’s seemingly real father and has an affair with him. She doesn’t question his reality—why would she: “[W]hether Steve was the product of a coincidence or a hoax or a paranormal vortex, she did not want to lose him.”
Sharp, observant, darkly funny and deeply humane. Another winner from Appel.Pub Date: Dec. 5, 2014
ISBN: 978-0984940585
Page Count: 188
Publisher: Pressgang
Review Posted Online: Jan. 16, 2015
Kirkus Reviews Issue: Feb. 1, 2015
Review Program: Kirkus Indie
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PERSPECTIVES
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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