Sharp, observant, darkly funny and deeply humane. Another winner from Appel.
Winner of Butler University’s Pressgang Prize, this collection examines the dangers and seductions of fantasy and lies.
Hardworking Appel (The Man Who Wouldn’t Stand Up, 2014, etc.), an attorney, physician, bioethicist, essayist and fiction writer, published a strong story collection in Scouting for the Reaper (2014). Now, in the eight stories comprising this volume (some previously published in literary magazines), he offers an equally strong, striking follow-up. Many of the stories here involve characters being asked to participate in some kind of deception, ranging from children’s fibs to murder. In the title story, a travel guide identifies a family’s run-down bungalow as the cottage where Albert Einstein spent his Princeton summers. When tourists arrive, the narrator’s father puts up a blackboard with equations scribbled from a math textbook and starts charging money. But then an old woman shows up claiming to be Einstein’s niece—and claiming, therefore, ownership of the house. Bewilderingly, she succeeds: “That marked the end of Papa’s clever ideas.” In the superb “La Tristesse Des Hérissons,” Josh, the narrator, humors his girlfriend Adeline’s obsessive caretaking of a pet hedgehog, such as keeping quiet during sex lest “an errant moan…alarm our barbed roommate. Actually, the word she used wasn’t alarm. It was traumatize.” Expensive veterinarian and pet psychiatrist visits follow. Diagnosis: hedgehog depression. Treatments include complete darkness, so Josh light-proofs the apartment, “while Adeline tend[s] to the hedgehog in a rented darkroom at the Manhattan Institute of Photography.” Appel brilliantly contrasts Josh’s pungent wit about the situation’s absurdities with the couple’s real, mostly unspoken needs, conflicts and sad family histories. By the end, it’s clear Josh values the hedgehog, too, exactly for its prickly, stabbing neediness. “Paracosmos,” a very different story, shows a similar ambiguity about fantasy. A woman meets her daughter’s imaginary friend’s seemingly real father and has an affair with him. She doesn’t question his reality—why would she: “[W]hether Steve was the product of a coincidence or a hoax or a paranormal vortex, she did not want to lose him.”
Sharp, observant, darkly funny and deeply humane. Another winner from Appel.Pub Date: Dec. 5, 2014
ISBN: 978-0984940585
Page Count: 188
Publisher: Pressgang
Review Posted Online: Jan. 16, 2015
Kirkus Reviews Issue: Feb. 1, 2015
Review Program: Kirkus Indie
PERSPECTIVES
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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