by Jacob M. Appel ‧ RELEASE DATE: Oct. 7, 2013
An inventive exploration of the place where love, chance, expectations and ambitions intersect in the city that never sleeps.
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A novel within a novel spanning one eventful spring day in New York.
There’s nothing special about Larry Bloom, a city tour guide, aspiring novelist and loser in love. As the novel begins, he laments that “there hasn’t been a civil rights movement for the nondescript and homely people of the world.” On the flip side is the object of Larry’s affection, Starshine Hart, whose physical beauty shines. Larry has written a novel for and about Starshine, from her perspective, an imagined narrative about the day he will reveal his love for her as well as the existence of his book and—with luck—the fact that it is to be published. Everything hinges on the contents of the letter from Stroop & Stone, Publishers, which Larry picks up in the book’s opening pages and tucks away to open later. At first, the structure of Appel’s (The Man Who Wouldn’t Stand Up, 2012, etc.) novel—the purportedly real-time adventures of Larry interwoven with chapters from Larry’s book—seems a familiar approach in emulation of John Irving (The World According to Garp, 1978), Kurt Vonnegut (Mother Night, 1961, Slaughterhouse-Five, 1969, etc.) or Margaret Atwood (The Blind Assassin, 2000). What’s different here, though, is that the “real world” action and the fictional events of Larry’s novel are taking place on the same day and that all of the events and musings from each narrative thread will somehow have to come together at day’s end, in a real-world conclusion, when Larry and Starshine have their date. To read the book—to separate out the “fact” of Larry’s story from the “fiction” of the book about Starshine and to realize that all we learn of Starshine is filtered through Larry’s romantic and novelistic ambitions—is to undergo an exercise in what Appel describes, in the question-and-answer section at the end of the book, as postmodern romance: “hyper-aware, ambivalent, fragmented.” Interwoven plot points—things Larry couldn’t possibly have known about in order to have written about them in advance—further stress the fact that readers’ understanding of time, cause and effect is fragmented and partial at best. Still, Appel’s clever, evocative prose deftly navigates the story’s witty dialogue, high drama and only occasionally overblown imagery.
An inventive exploration of the place where love, chance, expectations and ambitions intersect in the city that never sleeps.Pub Date: Oct. 7, 2013
ISBN: 978-0975374689
Page Count: 234
Publisher: Elephant Rock Books
Review Posted Online: Jan. 11, 2014
Kirkus Reviews Issue: Feb. 1, 2014
Review Program: Kirkus Indie
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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