Something of the flipside to the team’s The Other Side (2001), this is a great book for teaching kindness
Woodson and Lewis’ latest collaboration unfolds with harsh beauty and the ominousness of opportunities lost.
Narrator Chloe is a little grade-school diva who decides with casual hubris that the new girl, Maya, is just not good enough. Woodson shows through Chloe’s own words how she and her friends completely ignore Maya, with her raggedy shoes and second-hand clothes, rebuffing her every overture. Readers never learn precisely why Chloe won’t return Maya’s smile or play jacks or jump rope with her. Those who have weathered the trenches of childhood understand that such decisions are not about reason; they are about power. The matter-of-fact tone of Chloe’s narration paired against the illustrations' visual isolation of Maya creates its own tension. Finally, one day, a teacher demonstrates the ripple effect of kindness, inspiring Chloe—but Maya disappears from the classroom. Suddenly, Chloe is left holding a pebble with the weight of a stone tablet. She gets a hard lesson in missed opportunities. Ripples, good and bad, have repercussions. And sometimes second chances are only the stuff of dreams. Lewis dazzles with frame-worthy illustrations, masterful use of light guiding readers’ emotional responses.
Something of the flipside to the team’s The Other Side (2001), this is a great book for teaching kindness . (Picture book. 5-8)Pub Date: Oct. 2, 2012
ISBN: 978-0-399-24652-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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Say hello to a relatable and rewarding early reader!
Fun with friends makes for a great day.
Norbit, a salmon-colored worm with a pink kerchief, joyfully greets the day and everyone he encounters. “Hello, friends! It’s time for fun with the sun! Let’s play!” He and his menagerie of forest pals—including the sun, who grows limbs and descends from the sky—exuberantly engage in various forms of physical activity such as jumping, going down a slide, spinning around, and watching the clouds go by. Young readers will readily relate, as these are games that most children are familiar with. As day turns to night, Norbit says farewell to Sun and welcomes Moon with an invitation to continue the fun. Watkins has created a vivid world of movement and merriment. Her illustrations feature bright bursts of color that match the energy of the text, with most sentences ending in an exclamation point. The author/illustrator incorporates many elements that make for an ideal early-reading experience (despite the use of a contraction or two): art free from clutter, text consisting of words with only one or two syllables, and repetition and recurring bits, such as a continued game of hide-and-seek with Sun. Inspired by never-before-seen sketches from the Dr. Seuss Collection archives at the University of California San Diego, this is the first title for Seuss Studios, a new imprint for original stories from “emerging authors and illustrators” who “honor Seuss’s hallmark spirit of creativity and imagination.”
Say hello to a relatable and rewarding early reader! (author's note) (Early reader. 5-8)Pub Date: Jan. 7, 2025
ISBN: 9780593646212
Page Count: 48
Publisher: Seuss Studios
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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