Something of the flipside to the team’s The Other Side (2001), this is a great book for teaching kindness

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EACH KINDNESS

Woodson and Lewis’ latest collaboration unfolds with harsh beauty and the ominousness of opportunities lost.

Narrator Chloe is a little grade-school diva who decides with casual hubris that the new girl, Maya, is just not good enough. Woodson shows through Chloe’s own words how she and her friends completely ignore Maya, with her raggedy shoes and second-hand clothes, rebuffing her every overture. Readers never learn precisely why Chloe won’t return Maya’s smile or play jacks or jump rope with her. Those who have weathered the trenches of childhood understand that such decisions are not about reason; they are about power. The matter-of-fact tone of Chloe’s narration paired against the illustrations' visual isolation of Maya creates its own tension. Finally, one day, a teacher demonstrates the ripple effect of kindness, inspiring Chloe—but Maya disappears from the classroom. Suddenly, Chloe is left holding a pebble with the weight of a stone tablet. She gets a hard lesson in missed opportunities. Ripples, good and bad, have repercussions. And sometimes second chances are only the stuff of dreams. Lewis dazzles with frame-worthy illustrations, masterful use of light guiding readers’ emotional responses.

Something of the flipside to the team’s The Other Side (2001), this is a great book for teaching kindness . (Picture book. 5-8)

Pub Date: Oct. 2, 2012

ISBN: 978-0-399-24652-4

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: May 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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