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THE ELEVENTH HOUR

Children may notice that the adults reading with them are weeping—a history lesson and conversation starter in one book.

Two Canadian friends, one born just two minutes after the other, go to the Western Front.

Goldstyn’s amusing cartoons develop the two boys’ friendship, one in which Jules is “always two minutes behind Jim,” but no matter: “Jules looked up to Jim, and Jim looked out for Jules.” When war breaks out, Jules and Jim enlist, Jules, always a bit late, stuck with a uniform that doesn’t quite fit and crossing the Atlantic in an old ship that’s seen better days. “Jules and Jim had imagined war to be full of epic battles and glorious charges,” but they soon realize trench warfare is anything but. (A magnified louse makes this perfectly clear.) This extra-long picture book is related in a wry, matter-of-fact tone that lets Goldstyn’s watercolors arc shells across the gutter, back and forth, explosive violence alternating with vignettes that depict increasing hardship for everyone. In its compact, elliptical way, it’s an extremely effective narrative of World War I, always grounded in its two protagonists. Jim is decorated, while Jules, always late, peels potatoes. An armistice is signed and a cease-fire designated at 11:00 on Nov. 11—but at 10:58 Jim goes over the top and is killed, the illustrations confronting this violence clearly. Home without his friend, Jules becomes a watchmaker, and all his timepieces run two minutes slow. Jim and Jules are both white, as are their fellow soldiers and adversaries.

Children may notice that the adults reading with them are weeping—a history lesson and conversation starter in one book. (author’s note) (Picture book. 6-10)

Pub Date: Oct. 15, 2018

ISBN: 978-1-77147-348-4

Page Count: 64

Publisher: Owlkids Books

Review Posted Online: Aug. 26, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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