Children may notice that the adults reading with them are weeping—a history lesson and conversation starter in one book.

READ REVIEW

THE ELEVENTH HOUR

Two Canadian friends, one born just two minutes after the other, go to the Western Front.

Goldstyn’s amusing cartoons develop the two boys’ friendship, one in which Jules is “always two minutes behind Jim,” but no matter: “Jules looked up to Jim, and Jim looked out for Jules.” When war breaks out, Jules and Jim enlist, Jules, always a bit late, stuck with a uniform that doesn’t quite fit and crossing the Atlantic in an old ship that’s seen better days. “Jules and Jim had imagined war to be full of epic battles and glorious charges,” but they soon realize trench warfare is anything but. (A magnified louse makes this perfectly clear.) This extra-long picture book is related in a wry, matter-of-fact tone that lets Goldstyn’s watercolors arc shells across the gutter, back and forth, explosive violence alternating with vignettes that depict increasing hardship for everyone. In its compact, elliptical way, it’s an extremely effective narrative of World War I, always grounded in its two protagonists. Jim is decorated, while Jules, always late, peels potatoes. An armistice is signed and a cease-fire designated at 11:00 on Nov. 11—but at 10:58 Jim goes over the top and is killed, the illustrations confronting this violence clearly. Home without his friend, Jules becomes a watchmaker, and all his timepieces run two minutes slow. Jim and Jules are both white, as are their fellow soldiers and adversaries.

Children may notice that the adults reading with them are weeping—a history lesson and conversation starter in one book. (author’s note) (Picture book. 6-10)

Pub Date: Oct. 15, 2018

ISBN: 978-1-77147-348-4

Page Count: 64

Publisher: Owlkids Books

Review Posted Online: Aug. 27, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Cool beans indeed.

THE COOL BEAN

A supposed “has-bean” shows that coolness has more to do with deeds than demeanor.

Offering further moral instruction in this leguminous cousin to The Bad Seed (2017) and The Good Egg (2019), Oswald portrays three beans—each a different species but all sporting boss shades, fly threads, and that requisite air of nonchalance—bringing the cool to streets, hallways, playgrounds, and Leguma Beach. Meanwhile, a fourth (a scraggly-haired chickpea), whose efforts to echo the look and the ’tude have fallen flat, takes on the role of nerdy narrator to recall “olden days” when they all hung out in the same pod. Still, despite rolling separate ways (nobody’s fault: “That’s just how it is sometimes. You spend less time together, even though you’re not totally sure why”), when the uncool bean drops a lunch tray, skins a kid knee on the playground, or just needs a hint in class, one of the others is always on the scene toot suite. No biggie. And passing those casual acts of kindness forward? “Now that’s cool.” John’s good-hearted text makes some hay with the bean puns while Oswald’s pipe-stemmed limbs, googly eyes, and accessories give these anthropomorphic legumes lots of personality. As a fava to young audiences, pair with Jamie Michalak and Frank Kolar’s Frank and Bean (2019) for a musical combination.

Cool beans indeed. (Picture book. 6-9)

Pub Date: Dec. 3, 2019

ISBN: 978-0-06-295452-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 23, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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