Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space.

CAVE PAINTINGS

A trip to grandmother’s launches light-years beyond the routine sort, as a human child travels from deep space to Earth.

The light-skinned, redheaded narrator journeys alone as flight attendants supply snacks to diverse, interspecies passengers. The kid muses, “Sometimes they ask me, ‘Why are you always going to the farthest planet?’ ”The response comes after the traveler hurtles through the solar system, lands, and levitates up to the platform where a welcoming grandmother waits: “Because it’s worth it / to cross one universe / to explore another.” Indeed, child and grandmother enter an egg-shaped, clear-domed orb and fly over a teeming savanna and a towering waterfall before disembarking, donning headlamps, and entering a cave. Inside, the pair marvel at a human handprint and ancient paintings of animals including horses, bison, and horned rhinoceroses. Yockteng’s skilled, vigorously shaded pictures suggest references to images found in Lascaux and Chauvet Cave in France. As the holiday winds down, grandmother gives the protagonist some colored pencils that had belonged to grandfather generations back. (She appears to chuckle over a nude portrait of her younger self.) The pencils “were good for making marks on paper. She gave me that too.” The child draws during the return trip, documenting the visit and sights along the journey home. “Because what I could see was infinity.” (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 85% of actual size.)

Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space. (Picture book. 5-9)

Pub Date: Oct. 27, 2020

ISBN: 978-1-77306-172-6

Page Count: 52

Publisher: Groundwood

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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A simplistic take on the complex issue of Black identity in America.

WHO ARE YOUR PEOPLE?

A Black man teaches two Black children about their roots.

“Who are your people?” and “Where are you from?” These questions open the book as a man leads an unnamed boy and girl, presumably his children, into “Remembrance Park,” where they gaze up at Muhammad Ali, Maya Angelou, Stacey Abrams, and Martin Luther King Jr., who appear as cloudy apparitions in the sky. This imagery gives the misleading impression that Abrams, very much alive, is in heaven with the other figures, who are all deceased. Later on in the story, another potentially delusive illustration shows the main characters visiting a Mount Rushmore–like monument showcasing Kamala Harris alongside departed Black icons. After highlighting inspirational individuals who are not descended from people enslaved in the United States, the illustrations paradoxically depict enslaved Black Americans working in cotton fields. The portrayal of slavery is benevolent, and the images of civil rights marches and sit-ins likewise lack the necessary emotional depth. The text’s statement that “you are from the country where time moves with ease and where kindness is cherished” erases centuries of African American struggle in the face of racist violence and systemic exclusion. The book tries to instill pride in African Americans, who continue to struggle with a lack of shared identity or common experience; ultimately, it stumbles in its messaging and attempts to turn an extremely complicated, sometimes controversial topic into a warm and fuzzy picture book. All characters are Black.

A simplistic take on the complex issue of Black identity in America. (Picture book. 5-9)

Pub Date: Jan. 11, 2022

ISBN: 978-0-06-308285-4

Page Count: 32

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Jan. 12, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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A jam-packed opener sure to satisfy lovers of the princess genre.

SNOW PLACE LIKE HOME

From the Diary of an Ice Princess series

Ice princess Lina must navigate family and school in this early chapter read.

The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.

A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)

Pub Date: June 25, 2019

ISBN: 978-1-338-35393-8

Page Count: 128

Publisher: Scholastic

Review Posted Online: March 27, 2019

Kirkus Reviews Issue: April 15, 2019

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