A lively peek into literary genius.
A tour of the various sources of inspiration for beloved works of literature.
Debut author Grogan was once given a familiar piece of advice—“Make a list of the people who inspire you, then go learn everything you can about who inspired them”—and he turned it into this unconventional and ambitious research project. He investigates the origins of 202 famous works of literature and briefly synopsizes the circumstances of each, typically in a page or so. The author focuses on the creative afflatus that preceded each work, and he attempts to pin down just how an author arrived at the general idea or a key character and why each felt compelled to pursue that particular spark of imagination. Ultimately, Grogan found that the most common seedbed of creativity is personal experience, which, as he demonstrates, can be understood broadly. For example, both Hermann Hesse and Sylvia Plath conjured stories out of their own specific forms of anguish. Alice Walker’s The Color Purple was partially based on her own encounters with racism but also on interviews that she conducted with sharecroppers who’d been threatened with eviction. Kurt Vonnegut’s Cat’s Cradle was largely inspired by his co-workers at General Electric, and he modeled the character of Dr. Felix Hoenikker, in particular, on Nobel laureate Dr. Irving Langmuir. Maurice Sendak loathed his weekly visits from his family members when he lived in Brooklyn, and the caricatures he drew of his relatives became the beasts in Where the Wild Things Are. Grogan’s research is meticulous and empirical—he often draws from published interviews with the authors in question and lets them speak for themselves. His own prose is more informally anecdotal than scholarly in tone, and it’s so breezily accessible that there’s no need to read the vignettes all at once or in any particular order. Some accounts are more speculative than others; for example, it’s not indisputable, for instance, that Franz Kafka was motivated to write The Metamorphosis because of his dysfunctional relationship with his father. However, even Grogan’s speculations are consistently thoughtful and enjoyable.
A lively peek into literary genius.Pub Date: Oct. 17, 2017
ISBN: 978-1-60433-751-8
Page Count: 304
Publisher: Cider Mill Press
Review Posted Online: July 28, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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