A lively peek into literary genius.
A tour of the various sources of inspiration for beloved works of literature.
Debut author Grogan was once given a familiar piece of advice—“Make a list of the people who inspire you, then go learn everything you can about who inspired them”—and he turned it into this unconventional and ambitious research project. He investigates the origins of 202 famous works of literature and briefly synopsizes the circumstances of each, typically in a page or so. The author focuses on the creative afflatus that preceded each work, and he attempts to pin down just how an author arrived at the general idea or a key character and why each felt compelled to pursue that particular spark of imagination. Ultimately, Grogan found that the most common seedbed of creativity is personal experience, which, as he demonstrates, can be understood broadly. For example, both Hermann Hesse and Sylvia Plath conjured stories out of their own specific forms of anguish. Alice Walker’s The Color Purple was partially based on her own encounters with racism but also on interviews that she conducted with sharecroppers who’d been threatened with eviction. Kurt Vonnegut’s Cat’s Cradle was largely inspired by his co-workers at General Electric, and he modeled the character of Dr. Felix Hoenikker, in particular, on Nobel laureate Dr. Irving Langmuir. Maurice Sendak loathed his weekly visits from his family members when he lived in Brooklyn, and the caricatures he drew of his relatives became the beasts in Where the Wild Things Are. Grogan’s research is meticulous and empirical—he often draws from published interviews with the authors in question and lets them speak for themselves. His own prose is more informally anecdotal than scholarly in tone, and it’s so breezily accessible that there’s no need to read the vignettes all at once or in any particular order. Some accounts are more speculative than others; for example, it’s not indisputable, for instance, that Franz Kafka was motivated to write The Metamorphosis because of his dysfunctional relationship with his father. However, even Grogan’s speculations are consistently thoughtful and enjoyable.
A lively peek into literary genius.Pub Date: Oct. 17, 2017
ISBN: 978-1-60433-751-8
Page Count: 304
Publisher: Cider Mill Press
Review Posted Online: July 28, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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