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ORIGINS OF A STORY

202 TRUE INSPIRATIONS BEHIND THE WORLD'S GREATEST LITERATURE

A lively peek into literary genius.

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A tour of the various sources of inspiration for beloved works of literature. 

Debut author Grogan was once given a familiar piece of advice—“Make a list of the people who inspire you, then go learn everything you can about who inspired them”—and he turned it into this unconventional and ambitious research project. He investigates the origins of 202 famous works of literature and briefly synopsizes the circumstances of each, typically in a page or so. The author focuses on the creative afflatus that preceded each work, and he attempts to pin down just how an author arrived at the general idea or a key character and why each felt compelled to pursue that particular spark of imagination. Ultimately, Grogan found that the most common seedbed of creativity is personal experience, which, as he demonstrates, can be understood broadly. For example, both Hermann Hesse and Sylvia Plath conjured stories out of their own specific forms of anguish. Alice Walker’s The Color Purple was partially based on her own encounters with racism but also on interviews that she conducted with sharecroppers who’d been threatened with eviction. Kurt Vonnegut’s Cat’s Cradle was largely inspired by his co-workers at General Electric, and he modeled the character of Dr. Felix Hoenikker, in particular, on Nobel laureate Dr. Irving Langmuir. Maurice Sendak loathed his weekly visits from his family members when he lived in Brooklyn, and the caricatures he drew of his relatives became the beasts in Where the Wild Things Are. Grogan’s research is meticulous and empirical—he often draws from published interviews with the authors in question and lets them speak for themselves. His own prose is more informally anecdotal than scholarly in tone, and it’s so breezily accessible that there’s no need to read the vignettes all at once or in any particular order. Some accounts are more speculative than others; for example, it’s not indisputable, for instance, that Franz Kafka was motivated to write The Metamorphosis because of his dysfunctional relationship with his father. However, even Grogan’s speculations are consistently thoughtful and enjoyable.

A lively peek into literary genius. 

Pub Date: Oct. 17, 2017

ISBN: 978-1-60433-751-8

Page Count: 304

Publisher: Cider Mill Press

Review Posted Online: July 28, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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