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CHESAPEAKE

A NOVEL

Without the frame or the focus that loosely held Centennial together, this massive but arbitrarily fragmented East-Coast community history—a Maryland island, 1583-1978—is almost devoid of traditional novelistic pleasure. The hundred or so characters are firmly presented as types (e.g., "Bartley Paxmore, at thirty-one, was the new-style Quaker"), most of them members of three representative families: the Catholic, landowning, upper-class progeny of Edmund Steed, who explored the Chesapeake with John Smith in 1608; the dumb but spirited lower-class progeny of Timothy Turlock, who came to Maryland as an indentured servant; and the steady, middle-class, shipbuilding progeny of Quaker Edmund Paxmore, who was dumped in Maryland in 1661 after extensive Massachusetts whippings. Over the years, these clans must deal with pirates, storms, incest, sexism (yes, many of the women here are unlikely feminists), bastards born of philandering, the Revolution (all three broods eventually join in, even the royalist Steeds), and—about half the book—the slavery question. The Turlocks are slimy slave traders, the Steeds are gentle slave owners, the Paxmores are fierce abolitionists, and—in a rather shameless lift from Roots—the Caters are slaves who are seen under the whip and under the covers, in Mandingo-style triangles ("You want to stay longer, honey?"). On to the Civil War (eight pages), the oyster-dredging business, and the 20th Century—which is reduced to three bizarrely selective vignettes: a Paxmore rescuing 40,000 Jews from Hitler, the desegregation struggle, and. . . Watergate, with another Paxmore committing suicide over his White House involvement. As fiction, then—shallow and sketchy throughout, with no theme (except "It's gone. It's all gone") to link or enrich the melodramatic episodes. Nor does all of Michener's digested research produce painless fact feasts: much reads like a junior-high text ("Three reasons accounted for this"); the guest appearances by such as Henry Clay and Geo. Washington ("Your deal, General") seem silly; and the dialectic debates on religion and slavery are dull. But on such matters as shipbuilding, oystering, duck-hunting, Jimmy the blue crab ("that delicious crustacean"), and Onk-or the goose, Michener is a grand popularizer of craft and science. That considerable gift, together with the immense Michener clout, is sure to send millions of readers plunging into what seems like a million blandly readable pages of humdrum history and formula fiction.

Pub Date: July 24, 1978

ISBN: 0812970438

Page Count: 896

Publisher: Random House

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: July 1, 1978

Categories:
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THE SPECTRE OF DEATH RODE THE LAND

A SOUTHERN FAMILY CAUGHT UP IN THE UNION INVASION OF MISSOURI, 1861-1865

A shapeless but often engrossing period melodrama.

All’s fair in love and war in this sprawling epic about a family weathering the Civil War.

When the conflict begins, the Gordon family–prosperous hog farmers in the Missouri Ozarks–figure they’ll sit it out. But then them Yankee devils descend on Ripley County at the behest of “St. Louis bosses,” murdering, pillaging, burning and raping as they go. “ ‘Would you think there’s men so utterly evil as to shoot up a church meeting?’ ” wonders a shell-shocked survivor. “ ‘Nobody but a bunch of damn Yankees would do a thing like that.’ ” To defend their farms and womenfolk, Gordon sons Stuart and Riley join up with Confederate partisans, but the fighting takes a distant backseat to the clan’s romantic entanglements. The battles occur in fleeting background paragraphs amidst the main business of flirting and bickering, dances and socials, endless strategizing about how to approach a girl or catch a man and a constant routine of childcare and kitchen chores. Stuart is torn between town whore Sue Ellen and haughty beauty Lorena, whose sister Millie sets her cap for Riley. Meanwhile, the Gordon sisters suffer heartbreak at the hands of handsome, no-account cads: Kate pines for–and dreads–the return of the charming snake of a husband who abandoned her, while Emely weakly fends off the seductive advances of a local heartthrob. The story is marred by its naive pro-Confederate politics and a bloated, meandering narrative, but Webb (The Judge’s Daughter, 2004) paints a convincing and detailed–if somewhat glamorized–portrait of rural Southern life in the Civil War era.

A shapeless but often engrossing period melodrama.

Pub Date: Nov. 1, 2006

ISBN: 1-59526-363-2

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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FROM FIELDS OF GOLD

Slim pickings from the turn-of-the-century North Carolina tobacco industry, by the author of Scarlett (not reviewed) and a slew of other Southern-fried fiction (New Orleans Legacy, 1987, etc.). Nate Richardson is a virile and promiscuous 18-year-old tobacco farmer who falls in lust with Lily Gaskins, the coquette who marries his preacher brother, Gideon. The newlyweds move far away, enabling Nate to focus on his big plan to take over the burgeoning cigarette industry. A crucial part of his project involves wresting the patent for a revolutionary new cigarette- rolling machine from its doddering inventor, but the machine's price tag is high: Nate must marry the inventor's granddaughter, Francesca (Chess) Standish, and promise to give her children. Chess's head for books and figures serves charming front-man Nate well; the two are happy as partners, and business takes off. Nate's tobacco is the most golden and the tastiest; the machine he builds is better than that of the competition. His family quickly goes from picking worms off tobacco leaves to selecting fine clothing and furnishings for their nouveau-riche mansions. Although she loves him, Chess and Nate both remain dissatisfied with their sex life, which comes and goes in quick, cold spurts. Nate keeps mistresses, including Lily. Chess raises their daughter and doesn't know what she's missing until she meets her cousin Lord Randall Standish on a trip to London. Nate, busy selling cigarettes to the Brits, doesn't notice that Chess falls rapturously into the lord's arms, where she learns the pleasures of the flesh. Returning to America, they learn that Lily's next child may be Nate's and that Lord Randall wants Chess back; the couple must decide whether to dissolve the partnership or fall in love. Unfortunately, Ripley provides little conflict, no subplots, and holds off on the steamy scenes until much too late in the book. A paperback original spilling out of its hardcover corset.

Pub Date: Nov. 25, 1994

ISBN: 0-446-51406-3

Page Count: 496

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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