The earnest, prone-to-ramble Ripley—of the oft-panned Scarlett, the sequel to Gone with the Wind, plus many others- -tackles a challenging, somewhat obscure subject here with distinctly mixed results. The first three-quarters of this epic comprise a carefully researched, minutely detailed and imaginatively conceived (it is, after all, fictional) ``biography'' of Joseph of Arimathea, the man who gave his burial site for the crucified Jesus of Nazareth and is credited with spreading Christianity to England and beyond. From the opening, when Joseph—a Jew and the son of a farmer—dreams as a 12-year-old of life as a traveler, then eventually marries his childhood companion Sarah, and still later goes on to highly successful business ventures transporting tin from far-off lands to King Herod's castles at Caesarea, Ripley is in control of her material and tells a gripping tale of an unfamiliar time with only a few lapses into anachronistic language. But the last quarter of the story—in which Joseph must face the aftermath of his friendship with the emperor Augustus (whom he befriended via Herod), the evil machinations of Sejanus the Jew Hater, the trials of Herod's son Herod Agrippa, the deaths of his beloved Sarah and wise old grandmother Rebekkah, the miseries of his only daughter Ella (who was born with useless legs)—moves at a ludicrously fast pace, as though the author realized at end that she still had a great deal of ground to cover. As a result, when Joseph finally encounters Jesus of Nazareth, who heals Ella's legs with a single kind phrase and begins his crucial mission of conversion, his words and newfound beliefs have more the superficial tone of the modern- day televangelist than they do the ringing certainties of a true believer. More detail about Joseph and his time—real and imagined—than many may have imagined wanting, but with the significant exception of her weakened conclusion, Ripley makes this informative read also entertaining. (Author tour)

Pub Date: Sept. 19, 1996

ISBN: 0-446-51691-0

Page Count: 704

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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