McPherson, author of the Pulitzer Prizewinning short-story collection Elbow Room (1977), writes here with an astonishing range of language and emotion. Having previously addressed the black experience in America on many levels, he now tells a profoundly personal tale of displacement and discovery that is poetic and universal. The life described in this volume comes into focus in a moment of retrospection, in a bitter season of doubt. ``Life itself'' had become his enemy, he writes: ``I sought to control its every effort at intrusion into my personal space''—space that was almost entirely confined to his bed, ``in which I perfected my escape from life into an art.'' Remembering the seasons of pain and repair in a lifetime of missed opportunities, he returns repeatedly in this account to Channie Washington, his longtime tenant, a nurturing, self-reliant, and deeply religious woman who represented sanctuary—``the place where you pause to get your bearings for the road.'' For McPherson, the present beckons to memory slowly, seductively, revelation then coming into Proustian clarity with a crabcake or the sensual gait of a brown-eyed woman descending a stair. The fish market of a Baltimore neighborhood where he first savored crabcakes, the fields of Iowa, where he now teaches, and the streets of Japanese cities, where he sojourned awhile, all gather into a personal monologue that invites us to understand the crossroads he has reached. Ultimately, McPherson finds renewal in simple sentiments. Late in a long conversation-letter to a Japanese friend that runs through the second part of the book, he reminds us that ``if nothing in the future of the present seems permanent . . . one can always focus on . . . the future enjoyment of a Maryland crabcake. Such exercises of the imagination keep hope alive.'' Although its ever-shifting form is sometimes unsettling, this is a thoughtful and life-affirming memoir, unforgettable for its humanity, its gentle pace. McPherson has traveled the world and never lost sight of the inspirational lure of one's origins.
Pub Date: Jan. 7, 1998
ISBN: 0-684-83465-0
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1997
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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