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THE SHADOW IN THE GARDEN

A BIOGRAPHER'S TALE

A brutally honest examination of the biographical craft and a good companion piece to Richard Holmes’ This Long Pursuit...

An illuminating account of a career as a biographer.

A literary critic, magazine editor, memoirist, novelist, and founder of the Lippert/Viking Penguin Lives series of biographies, Atlas (My Life in the Middle Ages: A Survivor’s Tale, 2005, etc.), who has penned acclaimed biographies of Saul Bellow and Delmore Schwartz, digs deep into his own psyche to explain why he became attracted to the craft of biography. He also delves into why he chose Schwartz and Bellow as his subjects—Schwartz after the poet’s death and Bellow, an ambivalent subject, while still living. Beset with doubts about his ability to complete either biography satisfactorily and despite some moments of unwise hubris, Atlas could never divorce himself from the occupation of peering into the lives of others. He repeatedly impresses upon readers the sacred responsibility of rendering someone else’s life so that it is not only factually correct, but also emotionally accurate. Along the way, Atlas offers insights into dealing with sources who innocently remember events that never occurred, who knowingly exaggerate or lie, or who want to cooperate but die before the frantic biographer can schedule interviews. Because the author specializes in biographies of writers—as opposed to, say, celebrities, politicians, athletes, or business tycoons—he must interpret their published pages. That can cause difficulties when the second reading of a novel yields a reaction divergent from the original reading. For example, Atlas realized years after becoming Bellow’s biographer that most of the novels that seemed nearly perfect at first were actually less compelling upon close examination. The author is especially insightful about the pitfalls and occasional advantages of choosing a living person as the subject of the biography. His relationship with Bellow became so complicated at times that he found it difficult to sort out his own feelings.

A brutally honest examination of the biographical craft and a good companion piece to Richard Holmes’ This Long Pursuit (2017).

Pub Date: Aug. 22, 2017

ISBN: 978-1-101-87169-0

Page Count: 400

Publisher: Pantheon

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: June 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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