by James Bradley ‧ RELEASE DATE: Sept. 30, 2003
A memorable portrait of men in battle.
An episodic account of a little-covered arena in the much-covered genre of WWII: close air combat in the war against Japan.
Bestselling Bradley (Flags of Our Fathers, 2001) renders due homage to the exploits of long-distance bomber crews in the Pacific campaign, and particularly the Doolittle Raid on Tokyo in 1942, the net effect of which, along with 90-odd burned buildings, was that “Japanese belief in their invincibility had been rudely shaken.” At the same time, half a year after Pearl Harbor, Americans got a good morale boost out of the bombing, and young men rushed to become flyers—who were already, thanks to Charles Lindbergh and company, perceived as “the coolest of the cool.” Bradley’s account centers on the new crop of pilots, many of them teenagers when the war broke out, who piloted fighters and dive bombers against the Japanese in the last two years of the war. Most famous of the nine men he treats in detail is George H.W. Bush, who was shot down over the island of Chichi Jima in 1944, but not before delivering his payload of bombs. Bush survived, was awarded a Distinguished Flying Cross for his heroism under fire, and went on, of course, to the White House. Bush’s eight fellow pilots were not so lucky: they were captured, and treated so brutally that the US Navy effectively whitewashed their story, offering only a censored version of events to their families while executing many of the Japanese captors for their war crimes. Bradley writes vigorously, if graphically, about torture, beheading, disemboweling, and other unpleasant realities of POW life on Chichi Jima, though he takes great care to air those events from the Japanese point of view, one that equated surrender with dishonor and that did not honor the Geneva Convention. Yet, American pilots acknowledged, they, too, behaved similarly in the name of duty. Said one survivor, wisely, “I believe any culture can be indoctrinated into any attitude that the leaders want to teach them.”
A memorable portrait of men in battle.Pub Date: Sept. 30, 2003
ISBN: 0-316-10584-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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