by James Bradley ‧ RELEASE DATE: Sept. 30, 2003
A memorable portrait of men in battle.
An episodic account of a little-covered arena in the much-covered genre of WWII: close air combat in the war against Japan.
Bestselling Bradley (Flags of Our Fathers, 2001) renders due homage to the exploits of long-distance bomber crews in the Pacific campaign, and particularly the Doolittle Raid on Tokyo in 1942, the net effect of which, along with 90-odd burned buildings, was that “Japanese belief in their invincibility had been rudely shaken.” At the same time, half a year after Pearl Harbor, Americans got a good morale boost out of the bombing, and young men rushed to become flyers—who were already, thanks to Charles Lindbergh and company, perceived as “the coolest of the cool.” Bradley’s account centers on the new crop of pilots, many of them teenagers when the war broke out, who piloted fighters and dive bombers against the Japanese in the last two years of the war. Most famous of the nine men he treats in detail is George H.W. Bush, who was shot down over the island of Chichi Jima in 1944, but not before delivering his payload of bombs. Bush survived, was awarded a Distinguished Flying Cross for his heroism under fire, and went on, of course, to the White House. Bush’s eight fellow pilots were not so lucky: they were captured, and treated so brutally that the US Navy effectively whitewashed their story, offering only a censored version of events to their families while executing many of the Japanese captors for their war crimes. Bradley writes vigorously, if graphically, about torture, beheading, disemboweling, and other unpleasant realities of POW life on Chichi Jima, though he takes great care to air those events from the Japanese point of view, one that equated surrender with dishonor and that did not honor the Geneva Convention. Yet, American pilots acknowledged, they, too, behaved similarly in the name of duty. Said one survivor, wisely, “I believe any culture can be indoctrinated into any attitude that the leaders want to teach them.”
A memorable portrait of men in battle.Pub Date: Sept. 30, 2003
ISBN: 0-316-10584-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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