Well-written and unspeakably sad, though often predictable.
A latter-day Thomas De Quincey who began “eating” when he was nine writes powerfully if repetitively about how drugs and alcohol destroyed his family and severely damaged him.
Novelist Brown (Lucky Town, 1994, etc.) here arranges in a broken chronology some previously published pieces and a few fresh ones, all of which are confessional and self-flagellant. The author drinks too much, snorts too much coke, smokes too much crack, fails to honor too many commitments; he steals and lies to his friends, to his wife, to his family, to—don’t be alarmed—himself! Hung over, Brown tries to teach Adventures of Huckleberry Finn to undergraduates, who see right through him. He torments a pet pig he bought after a binge to dulcify his bitter wife; he’s annoyed because the porker acts, well, like a pig. He tries AA but is put off by too-patent piety. Brown’s brother and sister are both addicts and both commit suicide (he shoots himself, she leaps from a bridge); the writer crafts for each of them a very strong essay, imagining the moment of suicide in some of his loveliest, most wrenching prose. Brown’s mother was also an addict, and he recalls the time when, carrying along five-year-old James for a night out with Mommy, she torched an apartment building. An old woman died in the fire, but the cops had insufficient evidence to convict, so Mommy went away for tax evasion instead. (She had been surreptitiously selling family property to support her habits.) The Browns are no Cleavers, but their sorrows are delineated in captivating language. Brown knows the puissance of the present tense, effectively uses the second person (in the essay on his sister), crafts some heart-breaking sentences, and generally makes you want simultaneously to slap and embrace him.
Well-written and unspeakably sad, though often predictable.Pub Date: Oct. 1, 2003
ISBN: 0-06-052151-1
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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