A distinguished successor to Houston’s superb fictionalization of the Donner Party ordeal, Snow Mountain Passage (2001), and...
California during the Gold Rush and Hawaii on the verge of annexation as a U.S. territory provide a rich dual backdrop for Houston’s colorful ninth novel.
Its narrative is also a double story. A contemporary one, set in northern California in 1987, concerns the search conducted by radio talk-show host Sheridan “Dan” Brody into his family’s patchwork origins—after elderly Rosa Wadell, the grandmother Dan has never met, calls in on the air and begins the unearthing of their people’s fabulous history. Rosa’s story funnels into the one contained in the daily journal kept faithfully by her mother, Nancy Callahan. This tale is in turn linked to the well-known story of the 1891 visit to San Francisco made by Hawaii’s last king, David Kalakaua—on which journey, Dan learns, the monarch was accompanied by his “standard bearer” and consort (and, presumably, lover) Nani Keala: aka Nancy Callahan. The tumbling revelations include a wrenching portrayal of Nani/Nancy (“part white, part Indian, part Hawaiian”) adrift among several cultures; the story of her father Keala, an intrepid adventurer who left the Islands branded with the mark of Cain and found his mission and his fortune by joining the westward march and empire-building of gold-hunter John Sutter; and the increasingly complex negotiations between the cagey King David and representatives of Peabody Trade and Maritime, the company that embodies American pursuit of economic gain through the acquisition of foreign resources. The pivotal event here is the recovery of a missing sound recording of the Hawaiian monarch’s voice, made during his American visit: a priceless historical artifact, and a literal incarnation of his culture’s worship of communal values and respect for its dead—a plaintive reminder that “all our stories must be told.”
A distinguished successor to Houston’s superb fictionalization of the Donner Party ordeal, Snow Mountain Passage (2001), and compelling evidence that he’s one of the best historical novelists working today.Pub Date: March 26, 2007
ISBN: 1-4000-4202-X
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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