A delightful account of an idiosyncratic odyssey through island outposts in the world's largest ocean with the observant, low-key novelist Houston (Love Life, 1985, etc.) as an unfailingly congenial tour guide. In company with his Nisei wife, Jeanne Wakatsuki, Houston headed first to her parents' homeland. Sojourning in Ibusuki (a part of Kyushu, which a local returning from the US refers to as ``the Alabama of Japan'') and later in Fukuoka (one of but four cities to host championship sumo wrestling tournaments), he finds himself wondering whether the island nation's backcountry is ``too strange and perhaps more trouble than it's worth.'' Before Houston presses on alone, however, he and his wife make contact with friends of friends who renew their faith in the cultural and other ties that bind all peoples who live on the Pacific Basin, including those who, like the Houstons, are residents of America's West Coast. In Hawaii, he seeks out a woman who talks with rocks (volcanic or otherwise), an honored vocation in a venue where the legacies of Polynesia survive and thrive. Westering on, the author lights in Indonesia (where a native son lately back from L.A. shares rules of the road for traffic-jammed Jakarta) and Bali (whose Edenic setting belies its troubled history). Covered as well on Houston's overwater trek are the Marianas (Tinian as well as Saipan, where his daughter works at a resort catering to Asians on holiday) and the Ryukyus (Iwo Jima, Okinawa, et al.), where the ghosts of WW II can still disturb the sleep of visitors. Good old-fashioned travel writing of the sort that combines personal observations on faraway places with astute commentary on what connects their past, present, and future.
Pub Date: May 1, 1997
ISBN: 1-56279-100-1
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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