A distinguished successor to Houston’s superb fictionalization of the Donner Party ordeal, Snow Mountain Passage (2001), and...

BIRD OF ANOTHER HEAVEN

California during the Gold Rush and Hawaii on the verge of annexation as a U.S. territory provide a rich dual backdrop for Houston’s colorful ninth novel.

Its narrative is also a double story. A contemporary one, set in northern California in 1987, concerns the search conducted by radio talk-show host Sheridan “Dan” Brody into his family’s patchwork origins—after elderly Rosa Wadell, the grandmother Dan has never met, calls in on the air and begins the unearthing of their people’s fabulous history. Rosa’s story funnels into the one contained in the daily journal kept faithfully by her mother, Nancy Callahan. This tale is in turn linked to the well-known story of the 1891 visit to San Francisco made by Hawaii’s last king, David Kalakaua—on which journey, Dan learns, the monarch was accompanied by his “standard bearer” and consort (and, presumably, lover) Nani Keala: aka Nancy Callahan. The tumbling revelations include a wrenching portrayal of Nani/Nancy (“part white, part Indian, part Hawaiian”) adrift among several cultures; the story of her father Keala, an intrepid adventurer who left the Islands branded with the mark of Cain and found his mission and his fortune by joining the westward march and empire-building of gold-hunter John Sutter; and the increasingly complex negotiations between the cagey King David and representatives of Peabody Trade and Maritime, the company that embodies American pursuit of economic gain through the acquisition of foreign resources. The pivotal event here is the recovery of a missing sound recording of the Hawaiian monarch’s voice, made during his American visit: a priceless historical artifact, and a literal incarnation of his culture’s worship of communal values and respect for its dead—a plaintive reminder that “all our stories must be told.”

A distinguished successor to Houston’s superb fictionalization of the Donner Party ordeal, Snow Mountain Passage (2001), and compelling evidence that he’s one of the best historical novelists working today.

Pub Date: March 26, 2007

ISBN: 1-4000-4202-X

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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