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NIKOLAI DELOV

The sympathetic and flawed lead character puts a haunting human face on contemporary Russia, often demonized by the media.

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A successful businessman’s involvement with a woman determined to rescue sex trafficking victims exposes the underbelly of the New Russia in this noir-esque character study.

Nikolai Delov, pushing age 50, co-owns with his brother “the largest family-owned trucking company in the Russian Federation,” a company his truck driver father founded. Delov is a public success. He proudly displays a photo of himself receiving an entrepreneurial award from President Boris Yeltsin (“A perfect example of what a renewed Russia is all about”). His private life, though, is in more of a shambles. Divorced, he suffers strained relations with his son, Valentin, a talented artist with no interest in joining the family business, who is trying to open his own gallery. One morning, Delov is visited by Inessa Zorina, who runs a foundation that provides “ ‘safe environments’ for girls escaping the sex trade.” In their initial meeting, she is simply seeking a financial donation to establish housing for the young women, but things get interesting when she prevails upon him to help her rescue a young woman from her pimp. The entrepreneur’s growing relationship with Zorina puts him at further odds with powerful business rival Vladimir Konstantinov, the scion of a Yeltsin-era oligarch. Delov uses this competitor as a benchmark to measure his own success (“An unfair standard…since Vladimir Konstantinov was anything but a truck driver’s son”). Is Konstantinov jealous of Delov and Zorina’s affair? Is it just a coincidence that Valentin is arrested and charged with being a Banksey-like covert graffiti-tagger? In a striking plot development, Delov himself comes under investigation when it appears a branch of his company is involved in the trafficking of young women. Dante (The Tiger’s Wedding, 2012) has crafted an engrossing novel with an evocative and authentic sense of place and an engaging protagonist facing myriad challenges (“If something dire happened to him, what might become of the company?”). In noir tradition, Delov finds his world upended by dark forces of which he is aware but had always been able to navigate. “Corruption is a terrible thing,” he notes at one point, “until it works in your favor.” That is a statement as true in Putin-era Russia as it was in Raymond Chandler’s Los Angeles or Mayor Richard J. Daley’s Chicago.

The sympathetic and flawed lead character puts a haunting human face on contemporary Russia, often demonized by the media.

Pub Date: July 12, 2017

ISBN: 978-0-692-91225-6

Page Count: 288

Publisher: Omsk Publishing

Review Posted Online: Oct. 5, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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