by James Dickey ‧ RELEASE DATE: March 23, 1970
James Dickey's first novel is an ambitious tale of adventure in which character is tested, quite literally, if preposterously, through action. Three more or less unexceptional middle class, middle-aged men, and one outdoors-man, undertake a canoe trip along the backlands of the South. They treat the weekend as a lark, but, as the title suggests, it is apparent that they yearn, consciously or unconsciously, to be set free from restraint. They are tempted, at different levels of excitement and expectation by the prospect of encountering nature and the elements, as well as recapturing, no doubt, the virility of youth. When the party by chance separates, disaster sets in: the narrator and Bobby, a feckless type, are assaulted at gun point by two mountaineers, one of whom (can he have been reading Sade?) buggers Bobby on a log. The offending mountaineer is subsequently shot by the trusty arrow of the crack outdoorsman, arriving, as they say, in the nick of time. The other mountaineer escapes. It is the narrator's fate, after sundry skirmishes and Saturday Evening Post elimination courses, to stalk the enemy and deliver the coup de grace. Dickey's prose style is muscular, tactile, pungent, luminous, raw, a marvelous instrument, as in the best of his poems, for evoking the towering presence of trees and rivers, earth and sky, as well as the sinuous movements of men under stress. It falters, and here and there ludicrously, when psychological amplification must accompany physical processes; the characters, though naturalistically drawn, seem fitful and dim, the figures of dream or nightmare. That, perhaps, is Dickey's intent. If so, a good deal more finesse, symbolic or otherwise, would surely seem necessary to sustain, or even make significant, such headlong events.
Pub Date: March 23, 1970
ISBN: 038531387X
Page Count: 236
Publisher: Houghton Mifflin
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: March 1, 1970
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by James Dickey & edited by Matthew J. Bruccoli & Judith S. Baughman
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by James Dickey
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by James Dickey
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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