Ellroy is not only back in form—he's raised the stakes.

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PERFIDIA

Though it pivots on the Pearl Harbor attack, this worm’s-eye view from thoroughly corrupt Los Angeles is a war novel like no other.

It’s complicated, and the author (The Hilliker Curse, 2010, etc.) wouldn’t have it any other way. There's no telling the good guys from the bad in Ellroy's Los Angeles, because there are no good guys. The major distinction between cops and criminals is that the former have the power to frame the latter and kill the innocent with impunity, which they (or at least some) do without conscience or moral compunction, often in complicity with the government and even the Catholic Church. With his outrageously oversized ambition, Ellroy has announced that this sprawling but compelling novel is the beginning of a Second L.A. Quartet, which will cover the city during World War II and serve as a prequel to his L.A. Quartet, his most powerful and popular fiction, which spans the postwar decade. Thus, it includes plenty of characters who appear in other Ellroy novels, sowing the seeds of their conflicts and corruption. On the eve of Pearl Harbor, the four corpses of a Japanese family are discovered in what appears to be a gruesome ritual suicide. It seems they had advance knowledge of the attack (which, by the end of the novel, appears to have been the worst-kept secret in history). The investigation, or coverup, pits Sgt. Dudley Smith, full of charm but devoid of scruples (“I am in no way constrained by the law,” he boasts), against Capt. William Parker, who's plagued by demons of alcoholism, faith and ambition (and who is one of the real-life characters fictionalized in a novel where Bette Davis plays a particularly sleazy role). Caught between the rivalry of the two are a young police chemist of Japanese descent and a former leftist call girl–turned-informant. The plot follows a tick-tock progression over the course of three weeks, in which “dark desires sizzle” and explode with a furious climax.

Ellroy is not only back in form—he's raised the stakes.

Pub Date: Sept. 9, 2014

ISBN: 9780307956996

Page Count: 720

Publisher: Knopf

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

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SHAKESPEARE FOR SQUIRRELS

Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.

Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Pub Date: May 12, 2020

ISBN: 978-0-06-243402-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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