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MY FRIEND LEONARD

A small fortune could be made by bottling this story and selling it as an antidote to self-pity. Frey will have to settle...

A story of post-rehab, post-prison that’s about as comforting as a sawn-off shotgun with a dark angel in attendance.

“I have spent twenty-three years destroying myself and everything and everyone around me and I don’t want to live that way anymore,” writes Frey (A Million Little Pieces, 2003). He isn’t blowing smoke. We meet him, an alcoholic and a drug addict, just as he’s finishing a little stint in prison. He has survived, and that is what he intends to keep on doing, though his personal Furies—fortified wine and crack—rarely give him a moment’s peace, and his delicate-as-porcelain love, Lilly, hanged herself in despair just hours before his release (she, too, was trying to simply survive, living in a half-way house: “She wanted to go to college . . . she had seven books, all textbooks,” Frey writes, tearing your heart out). With a fortitude that is a wonder to behold, Frey maintains his sobriety, taking menial jobs because he hasn’t exactly got a sparkling resume. He also has a friend in Leonard, his mobster guardian, who gets Frey hooked up with some better paying gigs (illegal and thus another problem) and who’s always there to steer Frey clear of intoxicants and toward the simple pleasures, like good food and Cuban cigars. Frey works at longer-term commitments, but the hurt of Lilly’s loss keeps him hesitant. He focuses instead on writing—who’d have thought? But the fruits are here to witness: a fine, grim tale, full of smarting immediacy, with stylistic tics—repetitions, an aversion to commas, run-ons—that skip close to the irritating but lend a musicality and remind the reader to pay attention: “I finish and I take a deep breath it has been a long night I’m worried about Lilly.” The anguish is only beginning.

A small fortune could be made by bottling this story and selling it as an antidote to self-pity. Frey will have to settle for the small fortune it will make in big sales.

Pub Date: June 16, 2005

ISBN: 1-57322-315-8

Page Count: 352

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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