by James Hannon ‧ RELEASE DATE: June 30, 2018
An account provides rich insights into the psychology of cosplayers but lacks the depth that would attract a wide audience.
A cosplayer explores the phenomenon that has him portraying a galactic Stormtrooper and other characters.
Comic book conventions these days feature parades of grown men and women dressed up as action heroes and other characters, proudly posing for photographs and reveling in the rising popularity of costume play, or cosplay. The global market for cosplay costumes, which reached $11.7 billion in 2014, is forecast to grow to $23.6 billion by next year. In this book, Hannon (Lost Boys of the Bronx, 2010), an avid cosplayer, shares his experiences and examines this intriguing trend. The author’s own fascination with cosplay began with attending a Star Wars exhibition, which resulted in him putting together a Stormtrooper costume and joining the 501st Legion, a pioneering “costuming community,” whose membership has roughly tripled since 2008 to more than 12,000. He “struggled with shyness” but after his first event, or “troop,” with the Legion—a Halloween parade—he came out of his shell. He added other characters to his repertoire, co-founded the Legion of SuperVillains, and enjoyed the camaraderie of other cosplayers. “Forget about the TV show Cheers, conventions are truly the place where everyone knows your name,” he writes. The book also deftly spotlights some of Hannon’s costume-loving friends, many of whom found in cosplaying a way to express their inner geeks or “live out a childhood fantasy.” “You can relive your childhood, but also bring joy to the next generation, as little kids love this kind of thing,” says one, while another asserts, “Let’s be honest, it’s so we can play pretend.” But the author’s use of an oral history format often produces dreary reading and his account fails to offer the depth that would make it compelling to non-cosplayers. He mentions, for example, that he has seen the breakups of costumed couples firsthand, but rather than examine how cosplaying might contribute to marital tensions, he refrains from getting into specifics. Ultimately, he fails to bring as much color to the participants as they do to the characters they inhabit. Still, Hannon provides a lively insider’s view of cosplaying, delivering some vivid details. For example, the crowds at conventions have become “absolutely horrible,” but—very much on the plus side—the 501st Legion raised $889,000 for charity in 2017.
An account provides rich insights into the psychology of cosplayers but lacks the depth that would attract a wide audience.Pub Date: June 30, 2018
ISBN: 978-1-5462-4712-8
Page Count: 412
Publisher: AuthorHouse
Review Posted Online: Aug. 31, 2018
Review Program: Kirkus Indie
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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